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Time and narration: A study of sequential structure in Chinese narrative verse.

机译:时间与叙事:中国叙事诗的序贯结构研究。

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摘要

The subject of my doctoral dissertation is sequential structure in Chinese narrative poetry, which is a fundamental feature of narrative expression in Chinese poetry. Texts and genres covered include the Shijing (Book of Songs), Music Bureau (yuefu and ancient-style poetry (gushi) of the latter Han and Six Dynasties, Tang poetry, and Early Qing poetry. The main purposes of my study are to examine the development of sequential structure, primarily non-temporal and anachronic sequential structures, in Chinese narrative poetry, as well as to explore the interplay of sequential structure between poetry and other literary genres.; My dissertation found that the development of sequential structure in Chinese poetry can be divided into four stages. The first stage extends from the Shijing to the Han and Six Dynasties. The development of sequential structure in Chinese poetry originated in the Shijing , the sequential structure of which became the foundation of sequencing in Chinese poetry during subsequent ages. This tradition of sequencing evolved further in the Han and Six Dynasties. The second stage comprises the Tang dynasty, when the development of sequential structure reached its first high point. No further significant progress in narrative poetic development was made in the third stage, stretching from the Song to the Ming, and the development of sequencing stagnated. Lastly, the fourth stage began in the Early Qing dynasty when the successful development of narrative poetry revitalized the development of sequencing in Chinese poetry, beginning a golden period of Chinese narrative poetry, especially long narrative poetry.; My dissertation research makes potential contributions to the following three areas: it reviews the status of a number of poets in the development of Chinese poetry; it assesses the significance of certain poetic works in the development of Chinese poetry; and it appraises the contribution of the poetic works of a specific period, e.g., Tang poetry, to the development of Chinese poetry. Furthermore, understanding the tradition of Chinese narrative poetry can help us comprehend the scope of lyricism in Chinese poetry that is the main focus in traditional Chinese literary criticism. Furthermore, such an understanding is a key to studying narrative forms in Chinese literature in general.
机译:我的博士论文的主题是中国叙事诗歌的顺序结构,这是中国诗歌叙事表​​达的基本特征。所涵盖的文字和体裁包括《诗经》,乐谱局(乐府和后汉和六朝的古诗词,固始诗),唐诗和清初诗歌,我研究的主要目的是考察研究叙事诗中序贯结构的发展,主要是非时空和过时的序贯结构的发展,并探讨了序贯结构与其他文学体裁之间的相互作用。可以分为四个阶段,第一阶段从《诗经》扩展到汉代和六朝,中国诗序结构的发展起源于《诗经》,其后继结构成为后世中国诗序的基础。这种排序的传统在汉代和六朝进一步发展,第二阶段包括唐朝日常结构达到了第一个高峰。从宋代到明代,第三阶段叙事诗的发展没有任何进一步的重大进展,而叙事顺序的发展则停滞了。最后,第四阶段始于清初,叙事诗的成功发展振兴了中国诗歌的序列发展,开始了中国叙事诗的黄金时期,尤其是漫长的叙事诗。我的论文研究对以下三个方面做出了潜在的贡献:回顾了许多诗人在中国诗歌发展中的地位;它评估了某些诗歌作品在中国诗歌发展中的重要性;并评估了唐诗等特定时期的诗歌作品对中国诗歌发展的贡献。此外,了解中国叙事诗的传统可以帮助我们理解中国诗歌抒情的范围,而这正是中国传统文学批评的重点。此外,这种理解是研究一般中国文学叙事形式的关键。

著录项

  • 作者

    Lin, Tsung-Cheng.;

  • 作者单位

    The University of British Columbia (Canada).;

  • 授予单位 The University of British Columbia (Canada).;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 430 p.
  • 总页数 430
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

  • 入库时间 2022-08-17 11:40:42

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