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Just a few rotten apples? The social construction of corporate scandals in France and the United States.

机译:只是几个烂苹果?法国和美国公司丑闻的社会建设。

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摘要

This project examines the social construction of corporate scandals in France and the U.S. The main goal of this project is to identify the cultural and institutional sources of media and public frames, utilizing the thematic/episodic distinction developed by Iyengar (1991). In addition, the project investigates how an entrenched socio-economic system such as capitalism avoids meaningful reform during crisis periods. Finally, the work examines the extent to which business and prestige newspapers differ from one another.; Media frames are examined using both interviews with journalists and content analysis of scandal coverage in the two countries. Public frames are studied using both in-depth interviews and group interviews.; The project finds that there are differences in the frames prevalent in France and the U.S., differences that are at least partially consistent with the institutional history of the political economies and the cultural orientations of these two countries. Public frames in France tend to be thematic, assigning blame for the occurrence of scandals to systemic causes. American public frames tend to be more episodic with blame assigned to individuals. Media frames in the U.S. are episodic, while in France there is variation across genres, suggesting specific genres and especially popular and business genres can trump cultural factors. The globalized nature of economics as a journalistic object could also be contributing to the narrowing of cross-cultural differences in media coverage of business issues.; Overall, media framing is episodic, and this could explain the rapid return to the status quo ante in terms of corporate regulation after scandals have occurred. In addition, the supply of economic news might be somewhat constricted given the similarities between the practices employed and content produced by prestige and business newspapers.; Based on the findings of framing differences between genres and cultures, it is suggested that poly-framing---the production of and exposure to media content that has diverse genre and cultural origins---could make public opinion at the individual level more deliberative. This project suggests that additional systematic accounts of the institutions, audiences and messages that participate in the creation and reception of business news are needed.
机译:该项目研究了法国和美国公司丑闻的社会建设。该项目的主要目标是利用Iyengar(1991)提出的主题/事件区分来确定媒体和公共框架的文化和制度来源。此外,该项目研究了根深蒂固的社会经济体系(如资本主义)如何避免在危机时期进行有意义的改革。最后,这项工作研究了商业报纸和声望报纸之间的差异。使用对记者的采访和对两国丑闻报道的内容分析,来检查媒体框架。使用深入访谈和小组访谈来研究公共框架。该项目发现,法国和美国普遍存在的框架存在差异,这些差异至少部分与政治经济的制度历史和这两个国家的文化取向一致。法国的公共框架往往是主题性的,将丑闻的发生归咎于系统原因。美国的公共框架趋向于更为典型,指责归咎于个人。美国的媒体框架是情节性的,而法国的媒体流派有所不同,这表明特定流派尤其是流行和商业流派可以胜过文化因素。经济学作为新闻对象的全球化性质也可能有助于缩小媒体对商业问题的报道中的跨文化差异。总体而言,媒体框架是偶发性的,这可以解释在丑闻发生后,公司规制迅速恢复到原状。此外,鉴于所采用的惯例与声望和商业报纸所产生的内容之间的相似性,经济新闻的提供可能会受到限制。根据流派与文化之间框架差异的发现,建议多框架-生产和接触具有不同流派和文化渊源的媒体内容-可以使个人层面的舆论更具议论性。该项目建议需要对参与创建和接收商业新闻的机构,受众和消息进行额外的系统描述。

著录项

  • 作者

    Davidson, Roei.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Journalism.; Political Science General.; Mass Communications.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 215 p.
  • 总页数 215
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 新闻学、新闻事业;政治理论;传播理论;
  • 关键词

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