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Selected works for violin and piano by Chen Yi: Western influences on the development of her compositional style.

机译:陈怡精选的小提琴和钢琴作品:西方音乐对其作曲风格发展的影响。

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摘要

This document is a study of the violin and piano pieces, Fisherman's Song (1979) and Romance of Hsiao and Ch'in (1998), by the leading Chinese-born American composer, Chen Yi (b.1953). The two pieces are representative works of Chen Yi's Chinese (college) period and American period respectively. Through detailed analysis, comparisons, and consultation with Dr. Chen Yi, the document attempts to reveal Chen Yi's stylistic changes caused by the Western influences.;Chapter One provides a brief summary of the changes of compositional style throughout five generations of Chinese composers (from 1920s to present), which resulted from Western influences. Chapter Two examines the historical backgrounds of and analyzes two Fisherman's Songs: one by Chen Yi, a fifth-generation composer, and one by Li Zili, a fourth-generation composer. The stylistic similarities resulted from their Chinese roots, and differences caused by different levels of Western influences are discovered. Chapter Three investigates Chen Yi's professional experience and stylistic change after college as the historical background of composing Romance of Hsiao and Ch'in, and then analyzes the work. Through the comparison to Fisherman's Song, the changes of compositional approach in Romance of Hsiao and Ch'in resulted from her experiences in the United States are discussed, and their significant meaning to the Chinese-Western "fusion" is explained. The conclusion summarizes the changing course of Chen Yi's compositional style caused by the ever-growing force of Western influences in her life, and evaluates the significance of her approach of the Chinese-Western fusion with respect to a new era of it and an enrichment of the world's inter-cultural music.
机译:这份文件是由中国出生的美国著名作曲家陈毅(b.1953)研究的小提琴和钢琴曲《渔人之歌》(Fisherman's Song,1979)和《萧萧的浪漫史》(1998)。这两幅作品分别是陈毅中国(大学)时期和美国时期的代表作品。通过详细的分析,比较和咨询,陈毅博士试图揭示陈毅受到西方影响而产生的风格变化。第一章简要概述了五代中国作曲家的作曲风格变化(摘自1920年代至今),这是受到西方影响的结果。第二章考察了《渔歌》的历史背景,分析了两首《渔歌》:一首是第五代作曲家陈毅,另一首是第四代作曲家李自力。风格上的相似之处源于他们的中国血统,并且发现了不同程度的西方影响所造成的差异。第三章以陈逸浪漫作曲的历史背景为基础,考察了陈毅大学毕业后的专业经历和风格变化,并对作品进行了分析。通过与渔民之歌的比较,探讨了萧萧和秦汉在美国的经历对作曲方式的改变,并解释了其对中西“融合”的重要意义。结论总结了陈一在西方生活中不断增长的西方影响力引起的作文风格变化的过程,并评价了她的中西融合方法对于新时代及其丰富化的意义。世界的跨文化音乐。

著录项

  • 作者

    He, Xiang.;

  • 作者单位

    The University of Nebraska - Lincoln.;

  • 授予单位 The University of Nebraska - Lincoln.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2010
  • 页码 82 p.
  • 总页数 82
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:58

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