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Fiction and affect: Studies in the mid-twentieth century American novel and its utopian contexts.

机译:小说与影响:20世纪中叶美国小说及其乌托邦情境的研究。

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摘要

This dissertation examines selected mid-Twentieth Century novels by four American writers (Carson McCullers, James Baldwin, William Styron, and Vladimir Nabokov) in order to offer a reappraisal of a difficult and often overlooked moment in the history of American fiction. Specifically, it considers how writers with liberal tendencies respond to the political inhibitions of a culture increasingly dominated by the consensus discourse of the Cold War. Rather than giving over to cynicism by adopting strictly apolitical themes, these writers demonstrate a commitment to liberal society through the values of tolerance, diversity, and a distinctively liberal openness to the future community. This optimistic way of reading of the often superficially bleak fiction of mid-century rests on a rejection of the common premise that the postwar moment marks the end of history, of ideology, and of utopia. I undertake this initiative by means of a theoretical engagement with the concepts of affect and utopia. First, I offer a reconsideration of the concept of utopia in order to understand how utopian thinking may survive the historicist crisis in which it becomes neither possible nor desirable to imagine a political alternative to the status quo. Postwar (or post-historicist) utopia does not depend on the articulation of a specific future state or goal but dwells in the potential for change and future possibility inherent in the present moment. This revision of utopia provides a unique opportunity to engage the mid-century novel, for the latter's preoccupation with the meaning of affective experience represents a similar attempt to locate social potential within the present moment. The various readings of mid-century American novels that follow collectively strive to express and explore the connection between the fictional treatment of affect and the unique terms and conditions of liberal utopia as it emerges in the context of mid-century American culture.
机译:本文研究了四位美国作家(卡森·麦卡勒斯,詹姆斯·鲍德温,威廉·斯泰隆和弗拉基米尔·纳博科夫)精选的二十世纪中叶小说,以便对美国小说史上一个艰难而常常被忽视的时刻进行重新评估。具体而言,它考虑了具有自由倾向的作家如何应对日益受冷战共识话语支配的一种文化的政治约束。这些作家并没有通过采用严格的非政治主题来屈服于玩世不恭,而是通过宽容,多样性和对未来社区的独特自由开放的价值观表现出对自由社会的承诺。这种乐观的阅读方式通常是对本世纪中叶表面上暗淡的小说的解读,是基于对战后时刻标志着历史,意识形态和乌托邦终结的共同前提的拒绝。我通过对情感和乌托邦概念的理论参与来承担这项倡议。首先,我重新考虑了乌托邦的概念,以了解乌托邦思想如何在历史主义危机中幸存下来。在这场历史主义危机中,想像一种替代现状的政治选择既无可​​能,也不可取。战后(或后史学家)乌托邦不依赖于特定的未来状态或目标的表达,而是停留在当前固有的变革潜力和未来可能性中。对乌托邦的这种修改为参与中世纪小说提供了独特的机会,因为后者对情感体验的关注代表了在当前时刻寻找社会潜力的类似尝试。紧随其后的各世纪中叶美国小说的各种读本共同努力表达和探索对情感的虚构对待与在本世纪中叶美国文化中兴起的自由乌托邦独特条款和条件之间的联系。

著录项

  • 作者

    Millar, Darren.;

  • 作者单位

    University of Ottawa (Canada).;

  • 授予单位 University of Ottawa (Canada).;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 168 p.
  • 总页数 168
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:40:01

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