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Constructing national identity: Imperialism and nationalism in Victorian Britain's northern scholarship.

机译:建立国家形象:维多利亚时代英国北部学术中的帝国主义和民族主义。

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摘要

Throughout the nineteenth century, Victorian Britain maintained an unusual interest in the Vikings and Scandinavia. This fascination with the Vikings stems from Victorians' general interest in medieval subjects, yet there is more involved in their infatuation with the Norsemen than just appreciation for a remote age. The Vikings became a part of Victorian popular culture. Images of robust Northmen appeared in novels, paintings, music, and theater. The homelands of the Vikings became popular travel locations. This study, however, does not intend to examine the Vikings in Victorian popular culture, but the scholarly work produced by Britons in the nineteenth century. This involves reading numerous glossaries and dictionaries, some novels, and many prefaces and dissertations attached to English translations of the Norse sagas. In these texts, the popular image of the Viking certainly exists, but there are more political motives behind the material. The nineteenth century was an age rampant with imperial goals. Nationalism was on the rise, and Britain had to compete with its other European rivals for global supremacy. The Northern scholarship of the period quickly became politicized, and was manipulated to support the British nation. Fascination with the Vikings led to the study of the Norse tongue, which opened up the study of Teutonic ethnology, which was then used by the Teuton's descendants to imply racial superiority over the rest of the world. Britain struggled with France and Germany throughout Victoria's reign. Victorians needed a way to separate themselves, which presented a difficult task due to the fact that the English, French, and Germans were all descended from Teutonic and Indo-European peoples. The Victorians believed the Scandinavian branch of the Teutonic race to be the dividing line and focused their research on pointing out this difference.
机译:在整个19世纪,维多利亚时代的英国对维京人和斯堪的纳维亚半岛保持了不同寻常的兴趣。对维京人的迷恋源于维多利亚时代人对中世纪题材的普遍兴趣,然而,他们对北欧人的痴迷更多地不仅仅是对偏远年龄的欣赏。维京人成为维多利亚州大众文化的一部分。小说,绘画,音乐和戏剧中都出现了健壮的诺斯曼形象。维京人的故乡成为受欢迎的旅行地点。然而,这项研究并不是要考察维多利亚时代流行文化中的维京人,而是要研究英国人在19世纪所创作的学术著作。这涉及阅读大量的词汇表和词典,一些小说,以及有关Norse sagas的英语翻译的许多序言和论文。在这些文本中,维京人的流行形象确实存在,但材料背后还有更多的政治动机。十九世纪是一个充满帝国目标的时代。民族主义正在崛起,英国不得不与其他欧洲竞争对手竞争,以争取全球霸权。那个时期的北方奖学金很快就被政治化,并被操纵来支持这个英国民族。对维京人的迷恋导致了对北欧舌头的研究,这开启了条顿人种民族学的研究,然后由条顿人的后代用来暗示在世界其他地方的种族优势。在维多利亚统治期间,英国与法国和德国进行了斗争。维多利亚时代需要一种分隔自己的方式,这是一项艰巨的任务,因为英国,法国和德国人都是条顿人和印欧人的后裔。维多利亚时代的人认为条顿人种族的斯堪的纳维亚分支是分界线,他们的研究重点是指出这种差异。

著录项

  • 作者

    Najork, Daniel C.;

  • 作者单位

    Southern Methodist University.;

  • 授予单位 Southern Methodist University.;
  • 学科 Literature Scandinavian and Icelandic.; Literature English.
  • 学位 M.A.Eng.
  • 年度 2007
  • 页码 73 p.
  • 总页数 73
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I561;
  • 关键词

  • 入库时间 2022-08-17 11:39:51

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