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The use of Scott McCloud's transitional theory in comic book analysis as a paradigm for creating an effective critical Mime theory.

机译:Scott McCloud的过渡理论在漫画分析中的使用,是创建有效的批判Mime理论的范例。

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摘要

Concentrating on whiteface Mime in the tradition and style of Marcel Marceau, this dissertation utilizes Scott McCloud's transitional theory of comic books as explained in Understanding Comics as the basis for a new critical Mime theory of beats and transitions. Chapter One establishes the research foundation for this study and explains how the Mime beat is different from Stanislavski's beat. Mime beats discussed include moment beats, action beats, subject beats, scene beats, gutter transitions, and narrative transitions. This chapter also describes a Mime version of Charles S. Waxberg's beat rules from The Actor's Script that is used as an evaluative tool when applying McCloud's theory to Mime performances. Chapter Two documents a brief history of Mime and Mime theory. Chapter Three applies McCloud's Theory and Waxberg's evaluative rules to four of Marcel Marceau's videotaped performances: "Bip as a Skater," "The Maskmaker," "The Hands," and "Youth, Maturity, Old Age, and Death." Again using McCloud and Waxberg, Chapter Four evaluates two of Todd Farley and Mimeistry's videotaped performances, "Still Her Little Child" and "The Walls of Jericho." Chapter Five summarizes the findings of this dissertation and discusses its impact upon developing Mime material, establishing a new Mime vocabulary, assisting in Mime pedagogy, and noting potential benefits to Mime professionals and scholars. This chapter also indicates limitations of this study and discusses future research.
机译:本文以马塞尔·马索(Marcel Marceau)的传统和风格为重点,以白色笑脸为主题,利用斯科特·麦克劳德(Scott McCloud)的漫画过渡理论(如《理解漫画》中的解释)作为新的关键的模仿和节奏过渡理论的基础。第一章为这项研究奠定了研究基础,并阐述了哑剧节拍与斯坦尼斯拉夫斯基的节拍有何不同。讨论的哑剧节拍包括瞬间节拍,动作节拍,主题节拍,场景节拍,装订线过渡和叙述过渡。本章还描述了《演员剧本》中查尔斯·S·韦克斯伯格的节拍规则的Mime版本,当将McCloud的理论应用于Mime表演时,该规则用作评估工具。第二章简要介绍了哑剧和哑剧理论。第三章将McCloud的理论和Waxberg的评估规则应用于Marcel Marceau录制的录像中的四个表演中:“以溜冰者的脚”,“面具制作者”,“手”和“青年,成熟,老年和死亡”。第四章再次使用McCloud和Waxberg,评估了Todd Farley和Mimeistry录制的录像表演中的两个,“仍然是她的小孩子”和“杰里科的墙”。第五章总结了本论文的发现,并讨论了其对开发Mime资料,建立新的Mime词汇表,协助Mime教学法以及为Mime专业人士和学者带来潜在利益的影响。本章还指出了本研究的局限性,并讨论了未来的研究。

著录项

  • 作者

    Berry, Marcia S.;

  • 作者单位

    Regent University.;

  • 授予单位 Regent University.;
  • 学科 Theater.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 357 p.
  • 总页数 357
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 公共建筑;
  • 关键词

  • 入库时间 2022-08-17 11:39:49

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