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Within the kingdom of this world: Magical realism as genre.

机译:在这个世界的王国内:魔幻现实主义作为题材。

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摘要

Magical realism has been applied as a critical label to literature since the 1920s. Even in its initial critical incarnation, though, its definition has varied widely. This dissertation, through first looking at the historical debate surrounding the term, crafts a definition of the genre influenced by literature and criticism in the past and the present. I argue that magical realism is a genre of literature based on realism but which contains fantastic occurrences that are naturalized in the realist narrative; in this definition, I outline the most basic and essential features of the genre. In order to explain how magical realism works in both theory and in practice, I look at three international and contemporary instances of magical realism: Ben Okri's The Famished Road, Gina Nahai's Moonlight on the Avenue of Faith, and Achmat Dangor's Kafka's Curse. In my explanation of magical realism in practice, I have chosen texts that push at the boundaries of my definition, in order to show how the essential elements of magical realism can be combined in a number of different ways.; Throughout the dissertation, I note features of magical realism that while not part of the formal definition, nevertheless go hand in hand with the genre. Among these are: that the historical setting of magical realist texts is often a moment of historical crisis that necessitates a form more expansive than realism to narrate it, that magical realism relies on history and the historical perspective of the oppressed, and that magical realism makes a political claim when it represents an expanded reality instead of a straightforward one. The magical phenomena in these novels capture the spiritual reality of politics, the gendered reality of religion, and the bodily reality of laws in such a way that these social entities have a politically specific impact on the characters they touch. Magical realism, because it is an expansion of realism, aims to represent these levels of reality, in a move that is not politically neutral. This political engagement is the key feature that makes magical realism compelling as a critical term historically and today.
机译:自1920年代以来,魔幻现实主义已被用作文学的重要标签。即使在最初的关键化身中,其定义也有很大的不同。本文首先考察围绕该词的历史辩论,从而对过去和现在受到文学和批评影响的体裁进行了定义。我认为魔术现实主义是一种基于现实主义的文学体裁,但其中包含了在现实主义叙事中自然化的奇妙事物。在这个定义中,我概述了该类型的最基本和必不可少的特征。为了解释魔术现实主义在理论和实践上是如何工作的,我看了三个国际和当代的魔术现实主义实例:本·奥克里(Ben Okri)的《饥荒之路》,吉娜·纳海(Gina Nahai)的《信仰大道上的月光》和阿奇玛特·丹戈尔(Achmat Dangor)的《卡夫卡的诅咒》。在实践中我对魔术现实主义的解释中,我选择了一些文本,这些文本突破了我的定义的界限,以展示如何以多种不同方式组合魔术现实主义的基本要素。在整个论文中,我注意到了魔幻现实主义的特征,尽管这些魔幻现实主义不是形式定义的一部分,但仍与该类型息息相关。其中包括:魔术现实主义文本的历史背景常常是历史危机的一刻,它需要一种比现实主义更广阔的形式来叙述它;魔术现实主义依赖于历史和被压迫者的历史观点,而魔术现实主义使得当它代表一个扩展的现实而不是一个简单的现实时的一种政治主张。这些小说中的魔术现象以某种方式捕获了政治的精神现实,宗教的性别现实以及法律的身体现实,以致这些社会实体对其所接触的人物产生政治上特定的影响。魔幻现实主义是现实主义的扩展,它旨在通过政治上中立的举动来代表这些现实水平。这种政治参与是使魔术现实主义成为历史和今天的重要术语的关键特征。

著录项

  • 作者

    Magnolia, Tiffany.;

  • 作者单位

    Tufts University.;

  • 授予单位 Tufts University.;
  • 学科 Literature Comparative.; Literature African.; Literature Middle Eastern.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;各国文学;
  • 关键词

  • 入库时间 2022-08-17 11:39:45

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