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Frantic fathers and misplaced mothers: Hegemonic patriarchal reinforcement of the traditional family in American film.

机译:狂热的父亲和错位的母亲:美国电影中传统家庭的霸权父权制强化。

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摘要

Movies play an integral part in the formation of cultural identity and therefore should be subject to critical examination. This study examines the roles of mothers and fathers in films by looking at several basic techniques used to reinforce patriarchy. The focus will be an examination of post-1990s Hollywood film with relevant background information coming from earlier Hollywood films.;Films which ridicule fathers who try to take on traditional female roles are first examined. In these films it is necessary for a woman to come in and rescue the man by embracing the role she was "intended" for. Another popular discourse uses comedy in ridiculing fathers who take on the role of caregiver, but in these films, the father successfully navigates this traditionally female terrain. Patriarchy is reinforced by illustrating that men can still be men and take on the traditional female roles as well. In a backlash against feminism, fathers successfully navigate and take on the role of childcare. The next focus is films that continue in the "Fathers Knows Best" tradition, showing that men can become better mothers, but along with a commendation of the father comes a condemnation of the mother. The 1990s began to slowly usher in an age of telling fathers that though they had been successful in all areas, it was time to slow down. The 1950s instilled in fathers the need to be the family breadwinner, leaving the mother responsible for the care of the home. Now that we have been told that fathers can be as good at parenting as mothers, it is time to tell that career oriented father that he is needed on the home front. In other films, the father remains a strong caregiver, but in essence, "it takes a village" to raise a family successfully. These films give examples of group parenting or step-parenting. Hegemony seeks to allow dominant values to be enforced without the knowledge of the oppressed. It is imperative to understand how hegemony works through film in order to educate filmgoers in how to identify the values that are reinforced.
机译:电影在文化认同的形成中起着不可或缺的作用,因此应该接受严格的审查。这项研究通过研究用于强化父权制的几种基本技术,研究了父母在电影中的作用。重点将是对1990年代后的好莱坞电影进行审查,并提供来自早期好莱坞电影的相关背景信息。;首先要研究那些嘲笑那些试图扮演传统女性角色的父亲的电影。在这些电影中,女人必须通过拥抱“打算”扮演的角色来救助男人。另一种流行的话语是在嘲笑扮演照顾者角色的父亲中使用喜剧,但是在这些电影中,父亲成功地在这个传统的女性地形中导航。通过说明男人仍然可以是男人并承担传统的女性角色来强化父权制。在反对女权主义的斗争中,父亲们成功地驾驭了儿童保育工作。接下来的焦点是延续“父亲最懂”传统的电影,这些电影表明男人可以成为更好的母亲,但伴随着对父亲的表扬,母亲也会受到谴责。 1990年代开始慢慢进入一个时代,告诉父亲,尽管他们在各个领域都取得了成功,但现在是放慢脚步的时候了。 1950年代向父亲灌输了成为家庭养家糊口的需要,而母亲则负责照料家庭。既然我们被告知父亲可以像母亲一样做父母,那么现在该告诉以职业为导向的父亲在家庭方面需要他。在其他电影中,父亲仍然是一个有力的照料者,但从本质上讲,要成功地养家,“需要一个村庄”。这些影片提供了团体育儿或分步育儿的例子。霸权试图允许在不了解被压迫者的情况下执行主导性价值观。当务之急是要了解霸权在电影中的作用,以教育电影观众如何确定增强的价值观。

著录项

  • 作者

    Blaisdell, Teriann.;

  • 作者单位

    The University of Texas at Arlington.;

  • 授予单位 The University of Texas at Arlington.;
  • 学科 Literature American.;Cinema.;Gender Studies.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 201 p.
  • 总页数 201
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 电影、电视艺术;
  • 关键词

  • 入库时间 2022-08-17 11:39:31

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