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Enchanted truths: Romantic and post-Romantic models of poetic knowledge.

机译:着迷的真理:诗意知识的浪漫主义和后浪漫主义模型。

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摘要

One of the ways in which German Romanticism responds to the crisis of the Age of Reason is by reinventing enchantment and setting it to work as the notion of poetic enchantment. The exigency of that reinvention and its significance for the post-Romantic period underscore the principal concerns of the present dissertation. This study revisits the Romantic notion of poetic enchantment and addresses the transformation of Romantic themes into narrative techniques by closely investigating seminal texts by E.T.A. Hoffmann, Gottfried Keller, and Fyodor Dostoevsky. I assert that the post-Romantic period responds to the Romantic notion of poetic enchantment in two stages: (1) by introducing operations of disenchantment and demystification, and (2) in terms of the emergence of existentialist, and, eventually, psychoanalytical currents in literature that appropriate both Romantic enchantment and post-Romantic demystification.;As fantastic genre becomes an option for representing psychological reality, some Romantic authors use the terms "fantastic" and "poetic" interchangeably. My first chapter, "Magnetic Poetics," offers a reading of E.T.A. Hoffmann's fairy-tale "Der goldne Topf" that analyzes the German Romantics' interest in enchantment as a poetic device which, they hope, can supersede normative limitations imposed on knowledge. The subsequent chapters address the two stages in which post-Romantic literature reacts to this approach. The second chapter, "Buying Fat from a Cat, discusses Keller's fairy-tale "Spiegel, das Katzchen" as an example of the first stage that criticizes Romanticism for its disregard for purported reality. The third chapter, "Enchanted Confessions," focuses on Dostoevsky's early novel Netochka Nezvanova as a unique manifestation of the second stage. Analyzing traces of enchantment in the development of Dostoevsky's polyphonic narrative style, this chapter addresses a continuity between the Romantic treatment of psychic phenomena and Dostoevsky's exploration of human consciousness. With this dissertation, I hope to explore a rational dimension of Romanticism and an element of magic in Realism. The latter, I claim, survives as both a technical device (frame narratives) and as a rethinking of psychological reality (Dostoevsky's psychoanalysis avant la lettre).
机译:德国浪漫主义应对理性时代危机的方式之一是通过重新塑造结界并将其设置为诗歌结界的概念。这项发明的迫切性及其在后浪漫时代的意义突显了本论文的主要关注点。这项研究重新审视了浪漫主义的诗意魅惑概念,并通过E.T.A.霍夫曼,戈特弗里德·凯勒和费奥多尔·陀思妥耶夫斯基。我断言,后浪漫主义时期在两个阶段对浪漫主义的诗意化概念作出了回应:(1)通过引入幻化和去神秘化的操作,(2)就存在主义的出现,以及最终在精神分析学上的出现。既适合浪漫主义结界又适合后浪漫主义去神秘化的文献;随着奇异的流派成为代表心理现实的一种选择,一些浪漫主义作者交替使用“幻想”和“诗意”两个术语。我的第一章“磁性诗学”介绍了E.T.A.霍夫曼的童话故事《德·戈尔登·托普》(Der goldne Topf)分析了德国浪漫主义者对结界的兴趣,认为结界是一种诗意的手段,他们希望可以取代对知识的规范限制。随后的章节讨论了后浪漫主义文学对这一方法做出反应的两个阶段。第二章“从猫身上买脂肪”讨论了凯勒的童话故事《 Spiegel,das Katzchen》,作为批评浪漫主义无视现实的第一阶段的例子。第三章《迷惑的自白》着重于陀思妥耶夫斯基的早期小说《内托卡·内兹瓦诺娃》是第二阶段的独特表现,本章分析陀思妥耶夫斯基复音叙事风格发展过程中的结界痕迹,探讨浪漫主义对心理现象的处理与陀思妥耶夫斯基对人类意识的探索之间的连续性。我希望探索浪漫主义的理性维度和现实主义中的魔幻元素,我声称,后者既可以作为一种技术手段(框架叙述),又可以作为对心理现实的反思(陀思妥耶夫斯基的精神分析先锋)来生存。

著录项

  • 作者

    Pomerantsev, Yevgeniy.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 Literature Modern.;Literature Slavic and East European.;Literature Germanic.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 236 p.
  • 总页数 236
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;各国文学;
  • 关键词

  • 入库时间 2022-08-17 11:39:27

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