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'An improbable fiction': The marriage of history and romance in Shakespeare's Henriad.

机译：“不可能的小说”：莎士比亚的亨利阿德（Henriad）中历史与浪漫的结合。

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This study concerns how historical narrative is formed in Shakespeare's second tetralogy, Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V. I argue that the influence of romance narratives within this set of plays is important to the overall series because Shakespeare's focus on individuals, rather than the state, subverts the epic agenda of the plays, and opens them to the motifs and concerns of romance. Some of the distinct romance narratological devices used in these plays include narrative anachronies, digressions, and extradiegetic narratives. Gerard Genette's Narrative Discourse is my theoretical focal point, because like Genette, I am interested in how narratives are formed and structured. However, this study goes beyond a structural exploration. I also use close reading to investigate romance themes within these history plays, including the tension between providence and contingency, the prodigal son theme, and the ethical problems of self-interest.; While scholars have acknowledged for some time that genres do not have impermeable boundaries, I argue that applying the classifications of romance to the history plays helps us to gain a better understanding of Shakespeare's project, and characters, on the whole. As part of my project, I include the previously apocryphal play, Edward III, in my analysis as a prequel to Richard II. Essentially, adding Edward III to the canon has made it possible to look at the history plays as a cycle that not only follows the Lancastrian line through the usurpation of Richard II's throne through the Wars of the Roses but also as a series that documents the entire Hundred Years' War as a romance drama. In order to show connections between the history and romance genres, I use Thomas Lodge's Rosalynde, Robert Greene's Pandosto, and John Lyly's Euphues: The Anatomy of Wit, among others, for comparison with Shakespeare's Henriad.

机译：这项研究关注的是莎士比亚第二部四部曲《理查德二世》中历史叙事的形成方式。亨利四世（Henry IV），第1部分；亨利四世，第二部分；我和亨利五世认为，浪漫主义叙事在这套戏剧中的影响对于整个系列很重要，因为莎士比亚对个人而不是国家的关注颠覆了戏剧的史诗议程，并将其开放给主题和关注点浪漫。这些戏剧中使用的一些独特的浪漫主义叙事手段包括叙事过时，题外话和外来叙事叙事。 Gerard Genette的叙事话语是我的理论重点，因为像Genette一样，我对叙事的形成和结构方式很感兴趣。但是，这项研究超出了结构上的探索范围。我还通过仔细阅读来研究这些历史剧中的浪漫主题，包括天意与偶然性之间的张力，浪子主题以及自私的道德问题。虽然学者们已经承认流派并没有不可逾越的界限，但我认为将浪漫主义的分类应用于历史剧有助于我们更好地理解莎士比亚的作品和人物。作为我项目的一部分，我在分析中加入了以前的古玩戏剧爱德华三世，作为理查德二世的前传。从本质上讲，将爱德华三世添加到经典中，就可以将历史剧视为一个循环，不仅沿着兰开斯特式的路线通过在《玫瑰大战》中篡夺理查德二世的宝座，而且还可以作为记录整个历史的系列作为一部浪漫主义戏剧的《百年战争》。为了显示历史和浪漫体裁之间的联系，我将托马斯·洛奇（Thomas Lodge）的罗莎琳德（Rosalynde），罗伯特·格林（Robert Greene）的潘多斯托（John Panlysto）和约翰·利利（John Lyly）的《 Euphues：机智的解剖学》等与莎士比亚的亨利阿德（Henriad）进行了比较。

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作者
Eppich-Harris, Marcia.;
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Marquette University.;

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授予单位 Marquette University.;
学科 Literature Comparative.; Literature English.
学位 Ph.D.
年度 2008
页码 158 p.
总页数 158
原文格式 PDF
正文语种 eng
中图分类文学理论;
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C., The Study of History: A Bibliographical Guide , 2nd ed., Manchester University Press, 2000, pp. xiv + 140, £40.00.ParkerChristopher, The English Idea of History from Coleridge to Collingwood , Ashgate Publishing, 2000, pp. vii + 244, £45.RichardsonR. C. (ed.), The Changing Face of English Local History , Ashgate, 2000, pp. viii + 218, £45.00.BarronW. R. J. (ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. 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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

'An improbable fiction': The marriage of history and romance in Shakespeare's Henriad.

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