首页> 外文学位 >Ethnicity and esoteric power: Negotiating the Sino-Tibetan synthesis in Ming Buddhist painting.
【24h】

Ethnicity and esoteric power: Negotiating the Sino-Tibetan synthesis in Ming Buddhist painting.

机译:种族和深奥的力量:谈判明代佛教绘画中的汉藏综合。

获取原文
获取原文并翻译 | 示例

摘要

The term "Sino-Tibetan" is often employed in art historical discourse without a historical definition, as a self-explanatory concept; however, the term is nothing more than a marker of hybridity: it does not indicate how these Chinese and Tibetan traditions come together. This dissertation examines five case studies in order to both reach a renewed understanding of Sino-Tibetan synthesis and illuminate different aspects of the process through which these traditions coalesced during the Ming dynasty (1368-1644). Approaching these temples as both sites of political propagation and cultural negotiation, I argue that in order to explore the formation of this distinct synthetic visual vocabulary one must focus on contextual factors such as the significance of sponsorship and geographical location, rather than on exclusively formal issues of style and iconography, which have traditionally dominated the field. Documentary evidence suggests that these temples, while found primarily along the Sino-Tibetan border, are the products of both imperial and local patronage. Thus I argue that the primary distinction to be made in the development of Sino-Tibetan wall painting in the temples I am considering is not between metropolitan or provincial locations and visual idioms, but rather between imperial and local programs of sponsorship. I also consider the corresponding rise of Tibetan interest in Chinese visual modes within these same local contexts, focusing on the development of the Tenth Karma-pa's "Chinese style thang-ka painting."
机译:“中藏”一词经常在艺术史话语中使用,没有历史的定义,这是不言自明的概念。但是,该术语无非是杂交的标志:它并不表示这些中国和西藏传统如何融合在一起。本文研究了五个案例研究,以期重新认识中藏综合,并阐明了这些传统在明朝(1368-1644)合并的过程的不同方面。我将这些庙宇视为政治传播和文化谈判的场所,我认为,为了探索这一独特的合成视觉词汇的形成,人们必须关注诸如赞助和地理位置的重要性之类的背景因素,而不是仅仅关注形式问题。传统上一直占据着这个领域的风格和肖像。文献证据表明,这些庙宇虽然主要在中藏边境沿线发现,但却是帝国和地方赞助的产物。因此,我认为,在我正在考虑的寺庙中发展中藏墙画时,主要区别不是在大城市或省级地区和视觉习语之间,而是在帝国和地方赞助计划之间。我还考虑了在相同的当地背景下,藏族对中国视觉模式的兴趣相应上升,重点是第十届arma玛巴“中国式唐卡画”的发展。

著录项

  • 作者

    Debreczeny, Karl Philip.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 History Asia Australia and Oceania.; Art History.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 768 p.
  • 总页数 768
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界史;艺术史、艺术思想史;
  • 关键词

  • 入库时间 2022-08-17 11:39:19

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号