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A dark vision of 'a third world's third world': V. S. Naipaul's Africa.

机译:“第三世界的第三世界”的黑暗景象:奈保尔(V. S. Naipaul)的非洲。

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摘要

This study analyzes the historical, biographical, educational, and religious factors which likely shape V.S. Naipaul's criticism of Africa in his texts and formulate his place in the Western tradition of surveying Africa in a negative manner. As I note, Naipaul's upbringing in a predominantly black Trinidadian environment may have provided the foundation for his antagonism towards blacks, since Indo-Trinidadians and Afro-Trinidadians have at times engaged in political and racial animosity. His hostility perhaps progressed to an anti-African stance in his texts and may be sustained by his Brahmin background, which encouraged him to reject those he deemed inferior. Naipaul's education in the colonial system may have also made him receptive to condemning Africa as a futureless region by adopting the principles set by the British colonizing culture and following the imperial gaze of James Anthony Froude and Anthony Trollope, British travel writers of the 19th century, and Joseph Conrad, one of Britain's most canonical early 20th-century writers.Naipaul's exploration of Africa's "reputation" for violence, primitiveness, and decay which started in In a Free State (1971), "A New King for the Congo: Mobutu and the Nihilism of Africa," and A Bend in the River (1979) changes slightly in A Congo Diary (1980), "Crocodiles of Yamoussoukro," "Home Again," Half a Life (2001), and Magic Seeds (2004). Through the discussion of these texts, I point to the significance of Naipaul's subtle move away from emphasizing the "inferiority" of Africa to employing some compassion towards African societies and their progression. Yet even with this sympathetic stance, Naipaul still retains some remnants of his bleak colonial vision of Africa. The fact that he only gives a cursory examination of how colonialism plundered African societies and blames these many diverse societies for their condition ultimately reiterates his devalorization of Africa. I conclude that Naipaul's views of Africa, therefore, stay embedded with his initial negative assessments and with the West's ideological positioning.
机译:这项研究分析了可能影响V.S.的历史,传记,教育和宗教因素。奈保尔在其著作中对非洲的批评,并以消极的方式确立了他在西方传统非洲测量中的地位。正如我所指出的那样,奈保尔在一个主要是特立尼达黑人的环境中成长,这可能为他对黑人的仇恨奠定了基础,因为印度裔特立尼达和非裔特立尼达人有时从事政治和种族仇恨。他的敌对情绪在他的著作中可能演变成反非洲的立场,并且可能由于他的婆罗门背景而得以维持,这鼓励了他拒绝他认为次等的立场。奈保尔在殖民地体系中的教育也可能使他接受了英国殖民文化设定的原则,并跟随19世纪英国旅行作家詹姆斯·安东尼·弗鲁德和安东尼·特罗洛普的皇帝注视,谴责了非洲作为一个无前途的地区。约瑟夫·康拉德(Joseph Conrad)是英国20世纪初最经典的作家之一。奈保尔(Naipaul)对非洲暴力,原始和堕落的“声誉”的探索始于《自由国家》(1971年),《刚果的新国王:蒙博托和《非洲的虚无主义》和《河中的弯头》(1979年)在《刚果日记》(1980年),《亚穆苏克罗的鳄鱼》,《再次回家》,《半条命》(2001年)和《魔法种子》(2004年)中有所变化。通过对这些文本的讨论,我指出了奈保尔从强调非洲的“自卑”转向对非洲社会及其发展施加某种同情的微妙举动的重要性。然而,即使采取这种同情态度,奈保尔仍然保留着他对非洲暗淡的殖民视野的残余。他只粗略地考察了殖民主义如何掠夺非洲社会,并指责这些许多不同社会的状况,这一事实最终重申了他对非洲的轻视。我的结论是,奈保尔对非洲的看法因此保留在他最初的负面评价和西方的意识形态立场中。

著录项

  • 作者

    Smith, Dorsia.;

  • 作者单位

    University of Puerto Rico, Rio Piedras (Puerto Rico).;

  • 授予单位 University of Puerto Rico, Rio Piedras (Puerto Rico).;
  • 学科 Literature Modern.Literature Caribbean.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 255 p.
  • 总页数 255
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:39:10

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