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I. Planes of discourse in fixed media electroacoustic music: A comparative study and application of analytical approaches, and, II. Three Movements for String Orchestra.

机译:一,固定媒体电声音乐中的话语平面:分析方法的比较研究和应用,二。弦乐团的三个乐章。

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摘要

Part I of this study presents a comparative examination and application of representative approaches to the analysis of fixed media electroacoustic music. Electroacoustic works for fixed media present particular challenges for analysis, thereby warranting a specific analytical approach. Although there are a number of identifiable elements that can be said to distinguish fixed media electroacoustic music from other types of music, this study is conducted from the perspective that most fundamental is the potential for multiple planes of discourse.There have been numerous analytical strategies published by scholars in the area of electroacoustic music analysis. However, while many of these strategies effectively illuminate activity within certain planes of discourse, none deal comprehensively with the interconnection between these planes. The present study combines elements of several representative analytical methodologies in a multi-layered approach.The purpose of analysis (as considered in this study) is to explore the relationship between the listener/analyst's subjective perspective and the musical "object." Therefore, rather than seeking to produce an authoritative analytical product, this study seeks to develop an overall strategy for the analysis of fixed media electroacoustic music. In this way, this study fills a gap in the existing scholarship dealing with electroacoustic music analysis.Chapter 1 outlines the intentions of this study and considers the state of scholarship in the area of electroacoustic music analysis. Chapter 2 is comprised of the comparative study itself, which is followed in Chapter 3 by the application of elements of the approaches considered in this study to four contrasting fixed media electroacoustic works. Chapter 4 considers the findings in Chapters 2 and 3, addressing the potential for (and ramifications of) interconnection between planes of discourse and also considers the benefits and drawbacks of a comprehensive strategy for the analysis of fixed media electroacoustic music.Part II of this study is comprised of a three movement composition for string orchestra.
机译:本研究的第一部分介绍了比较方法和代表性方法在固定媒体电声音乐分析中的应用。固定介质的电声工程提出了特殊的分析挑战,因此需要一种特定的分析方法。尽管可以说有许多可识别的要素可以将固定媒体电声音乐与其他类型的音乐区分开,但是本研究是从最根本的是多语种层面的潜力的角度进行的。由学者在电声音乐领域进行分析。然而,尽管这些策略中的许多策略有效地阐明了某些话语平面内的活动,但没有一个能全面地处理这些平面之间的相互联系。本研究以多层方法结合了几种代表性分析方法的要素。分析的目的(如本研究中所考虑的)是探索听者/分析者的主观视角与音乐“对象”之间的关系。因此,本研究旨在寻求开发一种用于分析固定媒体电声音乐的整体策略,而不是寻求生产权威的分析产品。这样,本研究填补了现有的有关电声音乐分析研究的空白。第一章概述了本研究的目的,并考虑了电声音乐分析领域的研究现状。第2章由比较研究本身组成,第3章紧接着是第3章,将本研究中考虑的方法元素应用于四种对比固定的媒体电声作品。第4章考虑了第2章和第3章的研究结果,探讨了话语平面之间相互联系的潜力(及其后果),还考虑了分析固定媒体电声音乐的综合策略的利弊。本研究的第二部分由弦乐团的三乐章组成。

著录项

  • 作者

    Reed, Tim.;

  • 作者单位

    University of Florida.;

  • 授予单位 University of Florida.;
  • 学科 Music.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 115 p.
  • 总页数 115
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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