Kunst unter der Optik des Lebens. Nietzsche in der Sicht von Martin Heidegger und in der Wirkung auf Thomas Mann.

摘要

In "Ecce Homo", Nietzsche brought the reason subjects of his existence, his thinking and creating to the expression: the absolute loneliness, the unconditional Freedom, the existence as an experiment, the love to the danger, that radical seeking and questions, the revaluation of the previous values. His thinking and his creating is marked through a double bias: the subversive criticism of the traditional value systems and the pathetic design of a radically new existence form and world visibility. In his works, he throws all questions up, that busied him deeply: "Dionysus", "will to the power", "superman", "eternal return", "life, and "creating", art".In this telescopes empire subject complex the "art" takes an important position, yes, it wins one all paramount meaning. The art attains this exceptional position because it is the highest form of expression of the life, the life wanting incessantly over itself out.