声明
Contents
摘要
Abstract
Introduction
Chapter One Theoretical Background
1.1 Mikhail Mikhailovish Bakhtin
1.2 Bakhtin’s Polyphonism
1.2.1 Concept of Carnivalization
1.2.2 Concept of Chronotope
1.2.3 Concept of Dialogism
2.3 Bakhtin’s Rejection of Drama
Chapter Two Carnivalization in Venus
2.1 Carnival Laughter
2.1.1 Laughter in the Crowning and Decrowning of Venus
2.1.2 Laughter in the Decrowning of the Court and Church
2.2 Grotesque Body
2.3 Semiotic Mask
2.4 Marketplace Speech of The Mother-Showman
2.5 Parody
Chapter Three Time and Space in Venus
3.1 Circular Chronology
3.2 Discontinuity
3.3 Disgression
Chapter Four Dialogism in Venus
4.1 Great Dialogue
4.1.1 Dialogism within Composition
4.1.2 Dialogue between Author and Hero
4.1.3 Dialogue between Author and Audience
4.1.4 Dialogue between Characters
4.2 Microdialogue within Figures
4.2.1 Mircrodialogue within Baron Docteur
4.2.2 Mircrodialogue within Venus
Conclusion
Bibliography
Acknowledgements