首页> 外文会议>Symposium Proceedings vol.852; Symposium on Materials Issues in Art and Archaeology VII; 20041130-1203; Boston,MA(US) >RECENT CASE STUDIES IN THE RAMAN ANALYSIS OF ANCIENT CERAMICS : Glaze Opacification in Abbasid Pottery, Medici and 18th century French Porcelains, Iznik and Kutayha Ottoman Fritwares and an Unexpected Lapis Lazuli Pigment in Lajvardina Wares
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RECENT CASE STUDIES IN THE RAMAN ANALYSIS OF ANCIENT CERAMICS : Glaze Opacification in Abbasid Pottery, Medici and 18th century French Porcelains, Iznik and Kutayha Ottoman Fritwares and an Unexpected Lapis Lazuli Pigment in Lajvardina Wares

机译:古代瓷器的拉曼分析中的最新案例研究:阿巴斯德陶器,美第奇和18世纪法国瓷器,伊兹尼克和库塔赫奥斯曼帝国的器皿中的釉不透明化以及拉杰瓦尔迪纳瓷器中出乎意料的青金石颜料

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We demonstrate the potential of Raman spectroscopy as an on-site technique for the characterization of ancient ceramics. This non-destructive analysis offers a way to get information on the process and even sometimes on the date of ancient artifacts. Much information remains written in the microstructure of ceramics bodies and in the nanostructure of glasses, glaze and enamels. Raman signatures are specific to the technology that was applied to a given starting batch and to the process of manufacture. Recent studies that demonstrate : ⅰ) the use of cassiterite for opacification and its role in Islamic three-color wares and polychrome lustred pottery from the Abbasid to Fatimid period, ⅱ) the invention of the "hybrid-paste porcelain" by the Duke of Medici, known as Medici porcelain and of the "soft-paste" porcelain by the French Manufactures in the eighteen century (Chantilly, Mennecy, Saint-Cloud), ⅲ) the development of the underglaze pigment technology by Iznik and then Kuetayha Ottoman potters; ⅲ) the use of lapis lazuli gem as an unexpected pigment in the Iran Lajvardina wares. Finally we explore the relationship between glass makers and potters.
机译:我们证明了拉曼光谱作为一种用于表征古代陶瓷的现场技术的潜力。这种无损分析提供了一种获取有关过程的信息的方法,甚至有时还可以获得有关古代人工制品的日期的信息。在陶瓷体的微观结构以及玻璃,釉和搪瓷的纳米结构中仍然保留着许多信息。拉曼签名是特定于应用于给定起始批次和制造过程的技术的。最近的研究表明:ⅰ)使用锡石进行乳化及其在阿巴斯德至法提米德时期的伊斯兰三色器皿和彩釉陶器中的作用,Medi)美第奇家族发明了“混合糊瓷” ,被称为美第奇瓷器和18世纪法国制造商(“香蒂莉”,“曼尼西”,“圣克劳德”)的“软膏”瓷器。ⅲ)伊兹尼克(Iznik)和随后的库塔雅(Kuetayha)奥斯曼陶工开发了釉下颜料技术; ⅲ)在伊朗Lajvardina器皿中使用青金石宝石作为意料之外的颜料。最后,我们探讨了玻璃制造商和陶工之间的关系。

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