首页> 外文会议>Symposium on Materials Issues in Art and Archaeology VI, Nov 26-30, 2001, Boston, Massachusetts, U.S.A. >The Technological Tradition Of Korean Black Ware And The Indigenous Development Of Glaze Technology In Korea During The First Millennium A.D
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The Technological Tradition Of Korean Black Ware And The Indigenous Development Of Glaze Technology In Korea During The First Millennium A.D

机译:公元一千年前韩国黑器的技术传统和韩国釉技术的本土发展

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A collection of 70 black ware shards excavated from 16 kiln sites in South Korea and dating from the 3rd-13th centuries were studied using optical microscopy, scanning electron microscopy, and electron beam microprobe analysis to determine the range of technological variability in composition, microstructure and firing temperature. Materials analysis provided a means of deconstructing and reconstructing the development of (1) consistent high temperature firing, (2) unintentional ash glazing on black ware, (3) intentionally applied black glazes, (4) the relationship of grey and black glazes to green and white ones. This paper addresses issues of the influence of high-firing technology on glaze development and the development and continuity of the black glaze tradition. In addition, the black glazed Onggi ware of the late 19th century was compared to the earlier black-glaze tradition, once stabilized in composition in the Koryo dynasty, and results suggest a technological connection with the earlier tradition.
机译:使用光学显微镜,扫描电子显微镜和电子束显微探针分析研究了从韩国16个窑址发掘的70件黑色器皿碎片,这些碎片可追溯到3世纪至13世纪,以确定成分,微观结构和烧成温度。材料分析提供了一种方法,可以解构和重建(1)持续高温烧制;(2)黑色器皿上的无意灰釉;(3)有意使用的黑釉;(4)灰色和黑色釉与绿色之间的关系。和白色的。本文探讨了高烧技术对釉料发展以及黑釉传统的发展和延续性的影响。此外,将19世纪后期的黑釉Onggi瓷器与早期的黑釉传统(在高丽王朝时期一旦组成稳定)进行了比较,结果表明该技术与早期的传统有技术联系。

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