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Low-level audio descriptors-based analysis of music mixes from different Digital Audio Workstations – case study

机译:基于低级音频描述符的来自不同数字音频工作站的音乐混合分析–案例研究

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The aim of this paper is two-fold. Firstly, we attempt to check whether objective, low-level audio descriptors may serve as a comparison tool in music mix evaluation performed using different Digital Audio Workstations (DAWs). Secondly, we seek to answer whether differences in music mixes are objectively discernible when several sound processing engines of DAWs are used. The same tracks of a song exported from different Digital Audio Workstations constitute the basis for this research study. Several song mixes are built of 24 individual tracks with no added effects, employing both commercial and non-commercial DAWs. Then, a set of time- and frequency-domain audio descriptors is calculated to find similarities and differences between the music mixes. Informal listening tests are conducted to answer to what extent experts are able to evaluate differences in these mixes. Then data are analyzed to show that in most cases similar results are obtained regardless of the DAW employed.
机译:本文的目的是双重的。首先,我们尝试检查客观的低级音频描述符是否可以用作使用不同的数字音频工作站(DAW)执行的音乐混音评估中的比较工具。其次,我们试图回答当使用数个DAW的声音处理引擎时,是否可以客观地辨别出音乐混音的差异。从不同的数字音频工作站导出的歌曲的相同音轨构成了本研究的基础。采用商用和非商用DAW,由24条单独的曲目组成的几种歌曲混音没有附加效果。然后,计算一组时域和频域音频描述符,以查找音乐混合之间的相似性和差异。进行非正式的听力测试以回答专家在多大程度上能够评估这些混音的差异。然后对数据进行分析,以表明在大多数情况下,无论采用哪种DAW都可获得相似的结果。

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