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Joseph Heller's Black Humor Creation from the Perspective of Catch-22

机译:Joseph Heller的黑色幽默从Catch-22的角度创造

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Catch-22 is the war-themed novels representative work of Heller, and is also a realistic black humorous novel created by Heller under the influence of American civilian life in the 1950s. The novel takes the war as the background to describe the scene of war through the perspective of a small potato, and reveals the decadent bureaucracy of the United States and the chaos of the whole social political and economic order. Heller wrote the absurdity into the novel from a multi-dimensional perspective, breaking the single narrative mode and language mode of the traditional novel. The novel uses a great deal of contradictory juxtaposition and ambiguous witty language to juxtapose unconnected things caused by unruly "military regulations", so that the authenticity of the novel gives way to fiction and the plot gives way to language. The language of the novel has become the dominance of the novel world, which makes this anti-war novel have more thought-provoking artistic effect and anti-traditional color than the traditional war-theme novel. It highlights the concern of Heller for human survival and the digestion of the western traditional tragic model.
机译:Catch-22是世界末日的热门小说代表工作,也是在20世纪50年代美国民间生活的影响下由Heller创造的一个现实的黑色幽默小说。这部小说以战争为背景,通过小马铃薯的角度来描述战争现场,并揭示了美国的颓废官僚主义和整个社会政治和经济秩序的混乱。 Heller将荒谬从多维视角写入小说,打破了传统小说的单一叙述模式和语言模式。这部小说使用了大量的矛盾并置和含糊不清的诙谐语言来对不守规矩的“军事法规”造成的未连接的东西,使新颖的真实性让道路和情节让道语言发挥作用。小说的语言已成为新颖世界的主导地位,这使得这种反战小说具有比传统的战争主题小说更多的思想挑衅艺术效果和反传统颜色。它突出了Heller对人类生存和西方传统悲惨模型的消化的关注。

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