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Waiting for the Sound of Postmodern Art (A Historical Study)

机译:等待后现代艺术的声音(历史学习)

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The shift from modernism to postmodernism remains an interesting discussion. One of the approaches in this notion is to view postmodern in a constructivist or revisionary model. In this case, postmodernism serves as a follow-up of modernism. From a historical perspective, the total historical model may no longer be relevant due to its dependence on the diachronic-synchronic discourse, that continuously extends in time. On the other hand, the discussion on postmodernism always highlights the partial aspects that focus more on local narration and are ultimately opposed to grand narration. Still in the context of postmodernism from the historical perspective, art is seen as a Ferris wheel. As various segments of art are still discussed as social realities, there needs to be a reconstruction of postmodern power of creation that constantly represents an intertextual relationship between one type of art and another. In terms of the postmodern aspects in art, the development of the discourse also turns to feminism and multiculturalism. Whether art has any analogue implications with the two perspectives, perhaps as a source of inspiration, will be addressed in this discussion.
机译:从现代主义到后现代主义的转变仍然是一个有趣的讨论。该概念中的其中一个方法是在构造主义或预订模型中查看后现代。在这种情况下,后现代主义是现代主义的后续行动。从历史的角度来看,由于其对历史同步转换话语的依赖性,总历史模型可能不再是相关的,这连续延伸。另一方面,关于后现代主义的讨论总是突出了更多关于地方叙述的部分方面,最终与大叙事相反。仍然在从历史角度的后现代主义的背景下,艺术被视为摩天轮。随着艺术的各个段仍然被讨论为社会现实,需要重建成立的后现代能力,这不断代表一种类型的艺术与另一个艺术之间的互文关系。就艺术的后现代方面而言,话语的发展也转向女权主义和多元文化主义。无论艺术是否有两种角度的模拟含义,也许作为灵感的来源,将在本次讨论中得到解决。

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