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Teaching and Learning Music through the Lens of Computational Thinking

机译:通过计算思维镜头教学和学习音乐

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In recent years, many countries around the world have intensified their efforts to introduce computational thinking in schools. This paper supports this educational move not by proposing the teaching of computational thinking as a subject per se but by taking inspiration from the nature of such systematic and logical thinking to reframe the teaching and learning of music. After clarifying what computational thinking involves, it presents some parallels between computational thinking and musical thinking, principally, decomposition, pattern recognition, abstraction, and algorithmic thinking. From a teaching perspective, this comparative juxtaposition elucidates how computational thinking can provide a fresh lens on musical thinking, and in turn inform and transform the teaching and learning of music. In fact, this proposed pedagogical move can potentially broaden the disciplinary purview when design thinking is brought into the picture, yet without sacrificing disciplinary grounding in the subject itself.
机译:近年来,世界各地的许多国家都加剧了他们在学校引入计算思维的努力。本文支持这种教育措施,不要通过提出作为主题本身的计算思维教学,而是从这种系统和逻辑思维的性质中获取灵感来重新创建音乐的教学和学习。在澄清计算思维涉及的涉及什么后,它在计算思维和音乐思想之间呈现了一些相似之处,主要是分解,模式识别,抽象和算法思维。从教学角度来看,这种比较并置阐明了计算思维如何在音乐思想上提供新鲜镜头,而且又告知和改造音乐的教学和学习。事实上,当设计思维进入图片时,这一提议的教学行动可能会拓宽纪律的限制,但在没有牺牲主题本身的纪律接地而不牺牲纪律场。

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