首页> 外文会议>International Conference on Construction, Architecture and Technosphere Safety >Technology of Oak Architectural and Decorative Elements Manufacturing for Iconostasis Recreating in Krestovozdvizhensky Temple in Village of Syrostan, Chelyabinsk region
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Technology of Oak Architectural and Decorative Elements Manufacturing for Iconostasis Recreating in Krestovozdvizhensky Temple in Village of Syrostan, Chelyabinsk region

机译:橡木建筑和装饰元素制造技术在凯瑟斯坦村庄的Krestovozdvizhensky寺庙中重新创建的图标危机和装饰元素制造业

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Due to the historical peculiarities of Russia, by the end of the 20th century many temples were destroyed or they lost their iconostases which most often were made of wood. When it became necessary to revive the traditional craft it turned out that it was lost almost completely which negatively affects the quality of the wooden iconostases restoration and their new construction. The article aims to fill the loss of knowledge and skills that make up the content of one of the most interesting types of the architectural and monumental and decorative art through study of the forms of preserved fragments once being a very rich historical and cultural heritage. Similar works on the study of wooden iconostases aimed at the recreation of oak decorative wooden elements and restoration practice have not been performed so far which gives it a character of particular relevance for the architectural science. New and relevant technological improvements are not rejected but skillfully introduced into the arsenal of techniques and means of modern restorers and carvers to facilitate the recovery of iconostasis construction from a crisis state and the transition to the subsequent continuation of the tradition development. The deep knowledge of the research subject allowed one to use oak decorative elements in the manufacture for recreating the iconostasis of the Krestovozdvizhensky temple in the village of Syrostan, the Chelyabinsk region. This material is undoubtedly of a scientific and reference nature as well as economic efficiency for all those who wish to join the noble traditional iconostasis making art.
机译:由于俄罗斯的历史特点,到20世纪末,许多寺庙被摧毁,或者他们失去了他们最常由木材制成的曲目碑。当它成为恢复传统工艺的必要时,它结果几乎完全丢失,这对木质骨质恢复的质量产生了负面影响和新建筑。本文旨在通过研究曾经是一种非常丰富的历史和文化遗产,填补了构成建筑和纪念和装饰艺术的最有趣类型之一的知识和技能的损失,这是一个最有趣的建筑和纪念和装饰艺术。目前尚未进行旨在享受橡木装饰木材元素的休闲和恢复实践的类似作品。新的和相关的技术改进不被拒绝,但巧妙地引入了现代恢复器和雕刻者的技术和手段,以便于从危机状态和转型到随后的传统发展的转型来促进对图标建设的恢复。研究主题的深刻知识允许其中在制造中使用橡木装饰元素来重建Chelyabinsk地区锡斯特兰村的Krestovozdvizhensky寺庙的图标。这种材料无疑是一个科学和参考性质,以及希望加入贵族传统图标制造艺术的人的经济效率。

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