The Aesthetic Unconsciousness of Flower Images in Che Yangao's Poem

摘要

The poet Che Yangao selects and applies a large number of traditional aesthetic image, flowers in poetry creation, which can be roughly divided into two main tones and four color systems. One is a series of warm tones represented by red and yellow, and the other is a series of cool tones represented by white and purple. The images of Che Y angao's poems describe the warmth and gray of life at the same time. It shows a balance in visual effects and emotional restraint, which makes the overall poetic style show a kind of gentle warmth with cold and warm tones. The poet is drawn by an aesthetic unconsciousness in the process of creation. This unconsciousness includes both the universal spirit and historical tradition of the collective unconsciousness, as well as the individual unconsciousness influenced by the poet's life experience. Because of the influence of the collective unconsciousness, the poet will prefer the flower image in the selection of the image; because of the influence of individual unconsciousness, the poet especially favors the lotus in many flower images. The unconsciousness behind these image practice exploration and image selection has important demonstration significance for the destruction and reconstruction of the aesthetic image of contemporary poetry, showing the poet's unique aesthetic perspective and aesthetic expression.