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On the Character of the Medieval Architecture on the Example the 'Domed Halls' of Ani and Vicinity of the 10th-11th Centuries

机译:论艾尼和十一世纪附近的“穹顶大厅”示例中的中世纪建筑的性格

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This paper reflects a new view of the development of the medieval architecture as a result of previous author's studies and the current examination of the typological group of Armenian churches, so called 'Domed halls' of the 10th-11th centuries at the Bagratids' capital Ani and its vicinity. Among the stereotypes in the evaluation of medieval Armenian architecture there is a persistent tradition of understanding a development process as evolutionary. The consideration of the monuments leads to the negation of the sequential evolution of the studied architectural type. It is rather possible to talk about the existence of some general development trend among the diverse solutions, a significant part of which indicates the implementation of the most daring architectural ideas within the already known spatial structures. The Creative approach to the implementation of the commission, the desire of the architects to transform the proportions of the dome halls and the image of the church by introducing new and the interpretation of the already known forms have been decisive in the projects embodied by the masters of the capital or Ani architectural school. This approach has been developed not only in the creation of city cathedrals, but also extended to the monastic construction, the most important works of which have been the royal commissions.
机译:本文反映了中世纪建筑发展的新视图,由于先前作者的研究以及目前的亚美尼亚教堂类型学院的考试,所以在巴格拉特迪的首都ani中所谓的“圆顶大厅”所谓的“穹顶大厅”及其附近。在评估中世纪亚美尼亚建筑评估的刻板印象中,有一种理解发展过程作为进化的持久传统。对古迹的思考导致研究了研究的建筑类型的顺序演化。它谈论在多样化的解决方案中存在一些一般性发展趋势的存在,这是一部分,其中一部分表示在已知的空间结构中实施最大胆的建筑思想。委员会实施的创造性方法,建筑师的愿望转换圆顶大厅的比例和教会的形象通过引入新的和教会的诠释,在大师体现的项目中已经决定了首都或安妮建筑学校。这种方法不仅开发了城市大教堂的创造,而且还扩展到修道院建设,这是皇家委员会的最重要作品。

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