Intertextuality of 'Triple Present': on the Creation of Contemporary Chinese Art Film: Taking the Film 'Mr. No Problem' as an Example

摘要

This paper aims to make a comprehensive study on the "antecedents and consequences" of the Chinese contemporary art film creation with the film "Mr. No Problem" as a reference text, and to explore its implications on Chinese film style in the commercial context. Taking the film "Mr. No Problem" as an example, this paper analyzes the historical inheritance and innovation and the reflection on contemporary life embodied in the creation of Chinese contemporary art films, and the thinking on the future development of Chinese art films from the "triple present" perspective of the "past present, present present and future present".