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One Conception, Two Worlds: A Comparative Study of Styles of Claude Monet and Huang Binhong

机译:一个概念,两个世界:Claude Monet风格的比较研究,Huang Binhong

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摘要

Impressionists emphasize thin but visible brush strokes, open composition, accurate depiction of light in its changing qualities and ordinary subject matter. Despite differences in cultural and artistic tradition, an in-depth comparison of Monet's (1840-1926) "Water Lilies" and Huang Binhong's (1865-1955) "Mountains and Rivers" shed light on the crucial elements of perception and experience as well as unusual visual angles that both artists embraced in their paintings.
机译:印象派强调薄但可见的刷子冲程,开放的组成,在变化的品质和普通主题中准确地描绘光线。尽管文化和艺术传统存在差异,但莫奈(1840-1926)的“睡莲”和黄斌宏(1865-1955)“山脉和河流”揭示了感知和经验的关键要素以及两个艺术家在他们的绘画中拥抱的不寻常的视角。

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