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National Vision and Aesthetics: Playing and Singing Art of Maqu Under the Construction of Aesthetic Modernity

机译:国家愿景和美学:在审美现代性建设下,在审美的演奏和唱歌艺术

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The discussion of aesthetic modernity is a hot topic in the current literary research circle. Although this theory has been widely used at present, it is often ignored to make a comprehensive study of folk art from the effective perspective of aesthetic modernity by the academic circles. This paper attempted to place Gannan Maqu playing and singing art in the field of aesthetic modernity and explore the new explanatory space of Gannan Maqu playing and singing art in the field of aesthetic modernity from three aspects: the transformation from locality to nationalism, the disenchantment of divinity to humanity, and the separation living state like scattered sand into the field of modern culture, in order to respond to the aesthetic appeal of the modern society, and sublimate the unique significance of Maqu playing and singing art. Consequently, cultural protection and inheritance will not be taken for granted as self-talk.
机译:审美现代性的讨论是目前文学研究圈中的热门话题。虽然这个理论目前已被广泛使用,但通常忽视了学术界审美现代性的有效视角来全面研究民间艺术。本文试图在审美现代性领域施加甘南·玛士和歌唱艺术,探索甘南·玛士的新解释性空间在审美现代性领域的三个方面:从地区到民族主义的转变,祛魅神灵与人类,以及分离生活状态像分散的沙子进入现代文化领域,以应对现代社会的审美吸引力,并升华了Maqu演奏和歌唱艺术的独特意义。因此,文化保护和继承将被视为自我谈判。

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