'Yellow-White Sex and Love' Writing of Chinese Female Writers in the Late 20th Century - Taking The Lost Daughter of Happiness and K: The Art of Love as examples

机译：20世纪末中国女性作家的“黄白性爱与爱” - 以幸福的迷失女儿和k：爱的艺术为例

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Chinese female writers who wrote in Chinese in the late 20th century have a similar theme, that is, for the writing of "Yellow-White Sex and Love" across ethnic groups. This paper takes Yan Geling's The Lost Daughter of Happiness and Hong Ying's K: The Art of Love as examples to analyze narrative pattern of "Yellow-White Sex and Love" in these two works from the perspective of post-colonialism, and to tease out power relations and emotional changes in the beginning, development, climax and ending of "Yellow-White" love story. Compared with the writings of "Yellow-White Sex and Love" written by western writers in the past, Chinese female writers have both self-orientalism and rebellion against post-colonial discourse hegemony, reflecting that Chinese female writers use "Yellow-White Sex and Love" as a bridge which communicates Chinese and western culture and the desire for promoting understanding and communication between two heterogeneous cultures.

机译：在20世纪后期写入中国人的中国女性作家有类似的主题，即在族群中写作“黄白性和爱”。本文采取了燕凝固的幸福之女儿，洪莹的k：从殖民主义后殖民主义的角度来看，在这两项作品中分析了“黄色白性和爱”的叙事模式的艺术，从殖民主义的角度来看，梳理一开始，发展，高潮和“黄白”爱情故事的力量关系和情感变化。与过去的西方作家撰写的“黄白性和爱”的作品相比，中国女作家对殖民主义话语霸权的自我东方主义和叛乱反映，反映了中国女性作家使用“黄色白人性别”爱“作为传达中西文化的桥梁，渴望促进两个异构文化之间的理解和沟通。

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《International Conference on Humanities Science, Management and Education Technology》|2019年|828p|共7页
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Wang Yangjing;
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中图分类 C93-53;
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"Yellow-White sex and love"; Chinese female writer; Post-colonialism; The lost daughter of happiness; K: the art of love;

机译：“黄白性爱和爱”;中国女性作家;后殖民主义;失去的幸福女儿;k：爱的艺术;
入库时间 2022-08-20 23:56:21

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'Yellow-White Sex and Love' Writing of Chinese Female Writers in the Late 20th Century - Taking The Lost Daughter of Happiness and K: The Art of Love as examples

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