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Monk-painter - Dan Dang's Different Kinds of Aesthetic Feelings to Landscape Painting

机译:僧侣画家 - 丹·丹德的不同类型的美学感受景观绘画

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As a famous monk painter in late Ming and early Qing Dynasties, Dan Dang kept the same fame with those famous painters as Shi Tao (a famous painter in Qing Dynasty) Badashanren - Zhu Da (a famous painter in Ming Dynasty), Kun Can (a famous painter in Qing Dynasty), Hong Ren, (a famous painter in Qing Dynasty) et. Based on ancient methods of Chinese painting, his language in landscape paintings cast his understanding of Zen Aesthetics and great beauty realm, either from the visual or the psychological aspects, which can give a person profound meanings unexpectedly and with reasonable base. Dan Dang's landscape painting aesthetic characteristics play a powerful representative Zen Chinese painting aesthetics. "No law is law" is an important characteristic of his thought bearing in his paintings, which is the embodiment of different kind of feelings of his unique aesthetic thought in Chinese paintings as the impressionistic and his artistic characteristics.
机译:作为明清初代的着名的僧侣画家,丹·丹丹与那些着名画家相同的名声(清代着名画家)Badashanren - Zhu Da(明朝着名的画家),坤可以(清代着名的画家),洪仁(清朝着名画家)等。基于中国绘画的古代方法,他在景观绘画中的语言对禅宗美学和伟大的美丽领域来看,无论是视觉还是心理方面,都可以出乎意料地为一个人产生深刻的含义和合理的基础。丹丹的景观绘画美学特色发挥着强大的代表禅宗中文绘画美学。 “否法是法律”是他绘画中思想的重要特征,这是他在中国绘画中独特的美学思想的不同类型的体现,作为印象主义和他的艺术特征。

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