Analysis on the Embodiment of Sichuan Han Folk Songs in the New Sichuan Opera High-pitched Tune Music: Taking 'Bashan Xiucai', 'Jin Zi' and 'Jiang Jie' as an Example

摘要

In the long process of development of Sichuan opera, it absorbs the elements of local folk music and culture, and presents the vocal art with local characteristics in Sichuan. From traditional Sichuan opera music to newly compiled Sichuan opera music, no matter in music creation, band composition or vocal singing, Sichuan opera music has been modernized. Whether it is traditional Sichuan opera music or newly compiled Sichuan opera music, it will be found that the creation of high-pitched Sichuan opera music is the majority, and the musical elements of Sichuan Han folk songs can often be heard in these high-pitched music. For example: Sichuan opera "Bashan Xiucai" prelude music on the use of Sichuan folk songs "Jianjian Shan" music melody; The tunes in Sichuan opera "Shangangye" are based on the musical elements of Sichuan folk song "Beier song" and so on. Taking some newly compiled Sichuan dramas as an example, the author analyzes the elements of Sichuan Han folk songs used in the creation of high-pitched tune music, and understands the modernization development of Sichuan opera high-pitched tune music.