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Study on the Application of Traditional Patterns Elements of Oroqen in Amur River Basin in Modern Ceramic Design

机译:传统模式在现代陶瓷设计中的奥诺河流域中的传统模式元素的应用

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With the development of the times and social economy, the traditional ethnic culture of Oroqen has been gradually assimilated and its regional characteristics have gradually subsided. In the field of ceramic design in China, there has also been a phenomenon of uniformity and lack of national characteristics. Therefore, how to rationally develop and utilize rich ethnic cultural resources, protect national cultural heritage, inherit and carry forward the ethnic characteristics of the Oroqen nationality, realize dynamic protection, and adapt to social development are important issues facing the design world today. This paper takes modern ceramic design as the research background, and takes the Oroqen traditional pattern as the research object, and analyzes how to apply the Oroqen traditional pattern to ceramic design. By studying the modeling patterns, composition patterns, formal aesthetics and design thinking of the Oroqen traditional patterns, the author puts forward the idea and method of dynamic protection of its cultural heritage, and tries to play a positive role in the inheritance and protection of the Oroqen culture.
机译:随着时代和社会的经济发展,鄂伦春族的传统民族文化已经逐渐同化和区域特色也逐渐消退。在中国陶瓷设计领域,同时也出现了均匀的现象,缺乏民族特色。因此,如何合理开发和利用丰富的民族文化资源,保护民族文化遗产,继承和发扬了鄂伦春族,实现动态保护的民族特色,适应社会发展是当今所面临的设计界的重要问题。本文以现代陶瓷设计为研究背景,并采取了鄂伦春传统模式为研究对象,分析如何应用鄂伦春传统图案的陶瓷设计。通过对造型的图案,构图模式,形式美学与鄂伦春传统图案的设计思想,笔者提出了想法和文化遗产,并尝试的动态保护的方法发挥的传承和保护起到了积极作用鄂伦春族文化。

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