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'The Giants Against the Gods': the Dramatic and Plastic Explication of the Pergamon Alrar: Contemplation of the Exhibit at the Pushkin State Museum of Fine Arts

机译:“反对众神的巨人”:Pergamon Altar的戏剧性和塑料解释:普希金州美术馆展览展览

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The research offers analysis of the project exhibit "The Giants Against The Gods" that presented interpretation of the reconstructed famous Hellenic monumental sculpture of the Pergamon altar by the contemporary German art photographer and artist A. Alexander. Under review are the author's mythopoeic nature that links historicism with theatrical metaphor and the compositional and semantic match of the lost artifact fragments with the details restored by the project's author in his light panel. Highlighted are the holistic view and the integrated and systemic approach to the particularities of the art masterpiece. The antiquity, Greek mythology and the contemporary plastic installation, as well as the performance art, being symphonized into a single artistic pattern, constitute the centerpiece of this scientific study.
机译:该项目的分析展示了“对众神的巨人”,这对当代德国艺术摄影师和艺术家A.亚历山大的佩加曼祭坛的重建着名哈娜纪念雕塑的解释。在审查下是作者的神秘性质,将历史学与戏剧隐喻和失去的工件片段的组成和语义匹配联系起来,其中丢失的工件碎片与项目作者在他的光门中恢复的细节。突出显示是整体视图和艺术杰作特殊性的综合和系统方法。古代,希腊神话和现代塑料安装,以及性能艺术,被交叉成单一艺术模式,构成了这项科学研究的核心。

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