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The Teaching Reformation on Digital Piano Collective Class Based on Practical Piano: A Case Study of Xinghai Conservatory of Music

机译:基于实用钢琴的数字钢琴集体级教学改革 - 以兴海音乐学院为例

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Since collective class of digital piano was introduced to China, classrooms of collective class of digital piano have been established in many colleges. But it is a pity that the development of collective class of digital piano is restricted as there is no unified idea on the significance and influence of "applied talents", thus lacking of a definite direction and scientific standpoint for the development of collective class of digital piano. The purpose of teaching it and the purpose of teachers' education are distinctly in two directions. On the basis of the consideration for both students who study piano as a major and those who study piano as a minor, it adjusts the proportion of piano teaching in the whole, integrating the theoretical courses such as piano accompaniment course, solfeggio course, music theory course, harmonics course and composition course into the course of "practical piano". It adopts the mode of cooperative teaching of multiple courses to realize the close combination between piano teaching and other disciplines. It combines piano playing, basic music theory and basic composition theory by the teaching methods and characters of practical piano emphasizing the connection and application of disciplines. Creates a new situation for piano education in China.
机译:由于介绍了中国数码钢琴的集体类别,许多高校成立了数字钢琴集体类别钢琴教室。但是,遗憾的是,集体阶级的数字钢琴的发展受到限制,因为没有关于“应用人才”的意义和影响的统一思路,因此缺乏用于集体阶级的数字化的明确方向和科学立场钢琴。教学的目的和教师教育的目的在两个方向上明显。在考虑到钢琴作为一个主要和学习钢琴作为未成年人的专业和人的学生的考虑,它调整了整体钢琴教学的比例,整合了钢琴伴奏课程,Solfeggio课程,音乐理论等理论课程课程,谐波课程和成品课程进入“实用钢琴”过程中。它采用多种课程的合作教学模式实现钢琴教学与其他学科之间的密切组合。它结合了钢琴演奏,基本的音乐理论和基本组成理论的实用钢琴的教学方法和特征,强调了学科的联系和应用。在中国钢琴教育创造了新形势。

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