VISUAL LITERACY AND PATTERN CONFIGURATION AS DESIGN PARADIGM: HOW VISUAL RHETORIC CAN BE USED TO DEFINE SOCIAL AND CULTURAL IDENTITY

机译：视觉扫盲和模式配置为设计范式：视觉修辞如何用于定义社会和文化身份

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This paper correlates the areas of comparability on an historical ethnographic juxtaposition of traditionally pieced pattern-making as inherent and encoded social statement; reflected in the eco-cultural identities of two distinct populations from enforced ethnic cleansing and mass migration; and assesses the impact of the initial loss of national pride as enforced upon the oppressed communities, and emphasizes the high importance of retained ethnic identity and cultural heritage for the future as a mnemonic stratagem expressed through visual rhetoric; intrinsically, we uphold Dewey's view, that art "expresses the life of a community", and hold these defining subjective priorities as directives for future heritage descriptors. "Every human being lives within a determinate 'cultural pattern' and interprets his or her experience according to a set of acquired forms," states Umberto Eco, in The Open Work (1989).

机译：本文将传统拼凑的模式制作的历史民族绘画并置的可比性与固有和编码的社会声明相关联;反映在强制族裔洁净和大规模迁移中的两个不同群体的生态文化身份;并评估初始失去民族自豪的影响，这是对受压迫社区的强制执行，并强调未来作为通过视觉修辞表达的助记符斯特拉塔格的未来保留民族认同和文化遗产的高度重要性;本质上，我们秉承杜威的观点，艺术“表达了社区的生命”，并将这些主观优先事项持有未来遗产描述符的指令。 “每个人都在决定的”文化模式“中，并根据一套获得的形式解释他或她的经验”乌伯托·eco，在公开的工作中（1989年）。

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《IASTED international conference on internet multimedia systems applications》|2008年||共6页
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中图分类多媒体技术与多媒体计算机;
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visual rhetoric; visual culture and archetypes in art; pattern making; image representation;

机译：视觉修辞;艺术中的视觉文化和原型;模式制作;图像表示;
入库时间 2022-08-21 04:02:43

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VISUAL LITERACY AND PATTERN CONFIGURATION AS DESIGN PARADIGM: HOW VISUAL RHETORIC CAN BE USED TO DEFINE SOCIAL AND CULTURAL IDENTITY

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