首页> 外文会议>International Technology,Education and Development Conference >(92)CHILDREN AS A SUBJECT IN THE EXTERNAL AND INTERNAL DIALOG. THE ASPECT OF A PSYCHOLOGICAL DISTURBANCE. CHILDREN THEATRE FOR CHILDREN AND YOUTH WRITING FOR YOUTH
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(92)CHILDREN AS A SUBJECT IN THE EXTERNAL AND INTERNAL DIALOG. THE ASPECT OF A PSYCHOLOGICAL DISTURBANCE. CHILDREN THEATRE FOR CHILDREN AND YOUTH WRITING FOR YOUTH

机译:(92)儿童作为外部和内部对话的主题。心理干扰的方面。儿童剧院为青少年的儿童和青少年写作

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The main purpose of the art therapy is "designing of the path of self-development"[1]. The purpose isfrequently called the emancipation's purpose, which relies on regaining self-identity. The artist-patientcreates the possibility of self-directing in society and self-directing in his/her world of internalexperiences and thoughts. The art therapy allows him/her to find expression and speak his/her mind. Itallows to appear different aspects of "self", to make an internal dialog with him/herself and an externaldialog with the audience. Thus the art therapy increases of artists-patient's conscious of him/herselfand his/her conscious of the world. The internal and external dialog allows the artist to find asubjectivity way of verbal communication. He/she is able to explain his/her own world, to talk abouthim/herself as about a binary subject - an author and object of the story.Which is way the art therapy leans on the dialog cures - first of all - a psychological disturbance - it isnot a physical therapy but psychological therapy relying on rationalization or stimulation of the processof personality and identity's forming, on building of the subjectivity. So the main assumption of the arttherapy is strengthening of self-acceptance and the integration "self" with surroundings. Treating theart therapy as a factor of personality and identity strengthen makes possible to use the art therapy inworking not only with handicapped but also with individuals suffering from a psychological disturbance.I am interested in using the art therapy in the work with children and youth in order to assist of theprocess of self-defining and explicating of the surroundings. I am especially interested in using therapythrough theatre and literary to teach children the way of searching the definition of themselves andunderstanding the relation between them and the surroundings.I would like to focus on a special form of therapy - through children theater for children and childrenwriting for children (which one is unknown in Poland).Barbara Broszkiewicz and Jerzy Jarek in their book titled Workshops of theatrical education - childrentheatre divide the children theatre into four categories: plays and funs based of actors' technique,preparing the spectacle, teaching of actors' technique and children theatre for children. The last oneseems to be privileged by them because of its double subjectivity position of a child who is as actor asan audience. The position makes possible for children to identify with both sides of proscenium - withstage reality and protagonists and with audience and their own reality. The theatre inspires ofimaginations of the young artists and the young audience. So the plots should be the part of children'slife and it should offer the new way of resolving children's' problems to them. It seems the way ofpracticable of children theatre for children can be used in the children/youth writing for children/youth.In both forms of therapy children or youth take part the dialog as a subject who get a possibility to findan expression.In order to tell a few words about the idea of children theater for children and children writing forchildren as a way of subjectiviting of children, I would like to present two Krakow's examples of usingchildren theater for children and Australian example of using children writing for children.
机译:本领域疗法的主要目的是[1]“自我发展的路径的设计”。目的isfrequently称为解放的目的,这依赖于恢复自我认同。艺术家-patientcreates在社会和自我指导的可能性自我导向的他/她的internalexperiences和思想的世界。艺术疗法,让他/她找到表情和说话他/她的心。 Itallows出现“自我”的各个方面,使内部的对话与他/她自己和与观众的externaldialog。这样的艺术家,病人的自觉的他/ herselfand他/她的世界意识的艺术治疗增加。内部和外部的对话框让艺术家能够找到语言交流的方式asubjectivity。他/她很能说明他/她自己的世界,谈abouthim /她自己作为关于二进制对象 - story.Which的作者和对象的方式在对话框治愈的艺术治疗斜靠 - 首先是 - 心理干扰 - 它状态并没有依靠合理化或过程与人格和身份的形成的刺激物理治疗,但心理治疗,对主体性建筑。所以arttherapy的主要假设是加强自我接纳和融合的“自我”与周围的环境。治疗theart疗法的个性和身份的因素加强使得可以使用艺术治疗inworking不仅与有缺陷,但也有从心理disturbance.I很感兴趣的,以便与儿童和青少年工作用艺术治疗的个体协助自定义和周围的显性化的theprocess的。我特别有兴趣使用therapythrough戏剧和文学教孩子寻找自己的andunderstanding他们和surroundings.I之间的关系定义的方式想着重therapythrough儿童剧场儿童的特殊形式和childrenwriting为孩子(其中一个是未知波兰).Barbara Broszkiewicz和耶亚雷克在题为戏剧教育工作坊他们的书 - childrentheatre鸿沟儿童剧场分为四类:戏剧和基于玩意儿演员技术,准备眼镜,演员的教学技术和儿童剧场儿童。最后oneseems是因为一个孩子谁是演员峨山观众的双重主体地位由他们的特权。位置,使孩子们能够与台口两侧的标识 - withstage现实和主角,并与观众和自己的现实。剧院激励着年轻的艺术家和年轻观众的ofimaginations。因此,该地块应该是children'slife的一部分,它应该提供解决儿童问题,他们的新途径。看来,儿童戏剧的ofpracticable对孩子的方式可以在儿童/青少年写作的儿童使用/ youth.In两个治疗儿童或青少年多参加对话为主题谁拿到可能性芬丹expression.In为了形式告诉儿童剧院为儿童和儿童书写forchildren儿童的subjectiviting的方式的想法了几句话,我想提出了两种克拉科夫的usingchildren剧院的例子为儿童和利用儿童写儿童的澳大利亚例子。

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