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Putting Diversity in Perspective: A Critical Cultural Historical Context for Representation in Engineering

机译:以透视提供多样性:在工程中的代表性的关键文化历史背景

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Research in engineering education often takes an orientation which is not anchored in a historical, political, geographical, institutional, or cultural context. Research citing pedagogical best practices are prominent, hypothetically determining the "best practice" for all populations, at all locations, and at all periods in time, past and future. Likewise, many papers focusing solely on the cognitive psychological factors (e.g. self-efficacy, motivation) affecting learning or achievement imply that the cultural norms and interactional/structural contributions to that psychology are either irrelevant or immutable. This paper takes the view that in order to make wise choices and progress as a discipline, engineering education needs to understand both its culture and its history. By becoming cognizant of and marking cultural practices, we become capable of transgressing or subverting them. By becoming aware of the historical formation of the discipline, we acknowledge the structures which have contributed to our present day culture, and we become attuned to the forces which may be continually shaping us in the present day. This paper will present a partial historical and cultural account of the formation of engineering as a discipline, its demographic makeup, its narratives and norms. This account is grounded in three engineering educational cultural norms: competition, masculinity, and whiteness. It draws on a combination of work in critical history and Science Technology and Society fields, and the author's literature reviews of engineering education publications. While primarily relying on secondary sources, it is in the combination of the accounts, the connection to present day educational cultural settings, and the communication to a specific audience of educational stakeholders that comprises this work's intellectual contribution. A prominent theme of the historical narrative is to suggest a reflexive relationship between the demographic representation of the discipline and its cultural normativities. This interrelationship suggests ways in which our deeply held cultural practices may be intrinsically related to our historical and ongoing demographic makeup. This problematizes prominent diversity narratives of which spotlight minority demographic identities in engineering as a novel and isolated concern. It also suggests certain cultural normativities as potential sources of demographic exclusion.
机译:工程教育的研究往往采取了在历史,政治,地理,机构或文化背景下锚定的定位。研究引用教学的最佳实践是突出的,假设在所有地点的所有人口的“最佳实践”,以及在时间,过去和未来的所有地点。同样,许多论文完全关注的是影响学习或成就的认知心理因素(例如自我效力,动机)意味着文化规范和对该心理学的互动/结构贡献是无关紧要的或不变的。本文认为,为了使明智的选择和进步作为学科,工程教育需要了解其文化及其历史。通过越来越认识和标记文化习俗,我们能够违反或颠覆它们。通过意识到纪律的历史形成,我们承认为我们当今文化做出了贡献的结构,我们将在当前可能在可能不断塑造我们的力量。本文将呈现作为纪律形成的部分历史和文化陈述,其人口化妆,其叙述和规范。此帐户采用三种工程教育文化规范:竞争,男性气质和白度。它借鉴了关键历史和科学技术和社会领域的工作组合,以及作者对工程教育出版物的文学综述。虽然主要是依赖次要来源,但它是账户的结合,与当今教育文化设置的联系,以及与教育利益相关者的特定观众的沟通,包括这项工作的知识贡献。历史叙事的突出主题是建议纪律的人口统计学与文化准则之间的反思关系。这种相互关系建议我们深入持有的文化习俗可能与我们历史和持续的人口化妆有关。这取决于突出的多样性叙述,其中聚焦了工程中的少数人口统计标识作为一种小说和孤立的问题。它还提出了某些文化规范作为潜在的人口排除来源。

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