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Digital rights language support for evolving digital cinema requirements

机译:数字权利语言支持不断变化的数字电影要求

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摘要

Digital cinema can be defined as the digital electronic distribution and display of theatrical film content or live material to the theater. However, this simple definition does not reflect the complex mesh of balanced business relationships between the different parties involved in the worldwide cinematic distribution. Its transition from an analogue to a digital business will happen progressively, starting with only content being digitally distributed and going until an all-digital business. From these facts derive strong requirements on digital rights management (DRM) systems for digital cinema and therefore on the digital rights language supporting it. This paper explores the requirements imposed by the cinematic distribution model and by its progressive transition to digital, and the impact these have on digital rights languages. We analyze the support provided by different digital rights languages, identifying weaknesses and exploring solutions in fulfilling the requirements of the digital cinema distribution model.
机译:数字电影可以定义为剧院戏剧薄膜内容或实时材料的数字电子分布和显示。但是,这种简单的定义并未反映了在全球电影分布中涉及的不同方面的平衡业务关系的复杂网格。它从模拟到数字业务的转换将逐步发生,只能以数字分发和进入全数字业务的内容开始。从这些事实中获得了对数字电影的数字权利管理(DRM)系统的强烈要求,因此是支持它的数字权利语言。本文探讨了电影分布模型及其逐步过渡到数字的要求,以及这些对数字权利语言的影响。我们分析了不同数字版权语言提供的支持,识别弱点和探索符合数字电影分布模型要求的解决方案。

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