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National Film (Indonesia) 1970-1990s: Sex in Film, Censorship in Film and Power in Film

机译:国家电影(印度尼西亚)1970-1990S:电影中性交,电影和电影中的审查

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摘要

One interesting phenomenon when looking at Indonesian cinema in the 1970s to the 1990s is the large number of national films containing elements of sex that bring out artists known as hot artists. Hot films raised titles that have sex connotations, present erotic scenes and display vulgar posters, are widely advertised in the mass media and become public consumption, even though the authorities in charge of film affairs clearly forbide films containing pornography. The method used in this writing is a historical research method which includes heuristic, criticism, interpretation and historiography stages. Sources are generally obtained through literature studies by collecting written data in the form of archives, newspapers, articles, posters and photographs. This study shows that sex in national films throughout the 1970s and 1990s not only served as a spice but also as the main menu and solely takes into account the commercial side. The role of film censorship institution on the circulation of films is not optimal because of the intervention of the government.
机译:在20世纪70年代看印度尼西亚电影时的一个有趣现象是大量含有艺术家称为热门艺术家的性别的大量国家电影。热电片举起具有性内涵的头衔,目前色情场景和展示粗俗海报,广泛宣传在大众媒体中,并成为公共消费,即使电影事务的当局明确融入包含色情片的电影。本文中使用的方法是一种历史研究方法,包括启发式,批评,解释和史学阶段。通过以档案,报纸,文章,海报和照片的形式收集书面数据,通过文献研究获得来源。本研究表明,在20世纪70年代和20世纪90年代,全国电影中的性别不仅担任香料,而且作为主菜单,并仅考虑了商业方面。由于政府的干预,电影审查机构对电影循环的作用是不是最佳的。

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