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Assisting classical paintings restoration: Efficient paint loss detection and descriptor-based inpainting using shared pretraining

机译:协助古典绘画的修复:使用共享的预训练进行有效的绘画损失检测和基于描述符的绘画

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In the restoration process of classical paintings, one of the tasks is to map paint loss for documentation and analysing purposes. Because this is such a sizable and tedious job automatic techniques arc highly on demand. The currently available tools allow only rough mapping of the paint loss areas while still requiring considerable manual work. We develop here a learning method for paint loss detection that makes use of multimodal image acquisitions and we apply it within the current restoration of the Ghent Altarpiecc.Our neural network architecture is inspired by a multiscale convolutional neural network known as U-Nct. In our proposed model, the downsampling of the pooling layers is omitted to enforce translation invariance and the convolutional layers are replaced with dilated convolutions. The dilated convolutions lead to denser computations and improved classification accuracy. Moreover, the proposed method is designed such to make use of multimodal data, which arc nowadays routinely acquired during the restoration of master paintings, and which allow more accurate detection of features of interest, including paint losses.Our focus is on developing a robust approach with minimal user-interference. Adequate transfer learning is here crucial in order to extend the applicability of prc-trained models to the paintings that were not included in the training set, with only modest additional re-training. We introduce a pre-training strategy based on a multimodal, convolutional autoencoder and we fine-tune the model when applying it to other paintings. We evaluate the results by comparing the detected paint loss maps to manual expert annotations and also by running virtual inpainting based on the detected paint losses and comparing the virtually inpainted results with the actual physical restorations. The results indicate clearly the efficacy of the proposed method and its potential to assist in the art conservation and restoration processes.
机译:在古典绘画的修复过程中,任务之一是绘制涂料损失图,以进行记录和分析。因为这是一个如此繁琐而繁琐的工作,所以自动化技术非常需要。当前可用的工具仅允许绘制油漆损失区域的粗略图,同时仍然需要大量的手工工作。我们在此开发一种利用多模态图像获取的油漆损失检测学习方法,并将其应用于根特Altarpiecc的当前修复中。我们的神经网络架构受到称为U-Nct的多尺度卷积神经网络的启发。在我们提出的模型中,省略了合并层的下采样以强制执行平移不变性,并且将卷积层替换为膨胀卷积。膨胀的卷积导致更密集的计算并提高了分类精度。此外,设计该方法的目的是利用多模态数据,该数据在如今的原版绘画修复过程中通常会获得,并且可以更准确地检测出感兴趣的特征,包括油漆损失。我们的重点是开发一种可靠的方法最小的用户干扰。在这里,充分的转移学习至关重要,这是为了将经过prc训练的模型的适用性扩展到训练集中未包括的绘画,而仅需进行适度的额外再训练。我们介绍了一种基于多模式卷积自动编码器的预训练策略,并在将该模型应用于其他绘画时对其进行了微调。我们通过将检测到的涂料损失图与手动专家注释进行比较,以及基于检测到的涂料损失运行虚拟修补并将虚拟修补结果与实际物理修复进行比较,来评估结果。结果清楚地表明了所提出的方法的功效及其在艺术保护和修复过程中的潜力。

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