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Digital post production-how the new generation of digital tools will redefine the nature of content creation for high-end programs

机译:数字后期制作-新一代数字工具将如何重新定义高端节目内容创建的性质

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Even before computer-based graphics, editing and effects products became adopted en-mass, the commercial post-production community was asking vendors to provide products which would allow data, ideas and creativity to flow unencumbered in an integrated post-production environment. Rather than providing minor incremental advances such as those achieved from new point-products in the past, it was believed that such an environment would provide the means by which dramatic advances in creativity, flexibility and speed could be achieved. While the benefits of digital post-production were clear and readily embraced, until today, key enabling technologies were not sufficiently mature and available to make such an environment possible for any but the most adventurous and technically sophisticated facilities. 1996 will mark the year that digital post-production becomes a reality for many facilities as vendors such as Avid Technology begin shipping products designed to work together in a collaborative, flexible manner. This paper looks at what an all-digital post production process has to offer, the technology and products from which it is comprised, and discusses the short-term and potential long-term impact this new generation of technology may have on the commercial post industry. The environment to be described is not some notion of what will be possible in the distant future, but one which can be implemented today.
机译:甚至在大规模使用基于计算机的图形,编辑和效果产品之前,商业后期制作界就在要求供应商提供能够在集成的后期制作环境中不受阻碍地传递数据,思想和创造力的产品。人们相信,这种环境不会提供像过去从新的点产品中获得的那样小的增量进步,而是会提供一种手段,使创造力,灵活性和速度得到显着进步。尽管数字后期制作的好处是显而易见的,并且很容易被接受,但是直到今天,关键的使能技术还不够成熟和可用,无法为最冒险和技术最先进的设施提供这样的环境。 1996年将标志着数字后期制作成为许多设施变为现实的一年,因为诸如Avid Technology之类的供应商开始发售旨在以协作,灵活的方式协同工作的产品。本文研究了全数字后期制作过程所提供的内容,组成该过程的技术和产品,并讨论了这种新一代技术可能对商业后期处理行业产生的短期和潜在的长期影响。 。要描述的环境不是在遥远的将来会发生什么的某种概念,而是今天可以实现的一种概念。

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