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The concepts of soundscape. Are there shallow soundscapes and deep soundscapes?

机译:音景的概念。有浅声景和深声景吗?

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摘要

This paper discusses firstly the concept of soundscape developed by R. M. Schafer and his colleagues. Secondly, it hypothetically proposes to define the ‘shallow soundscape’ and ‘deep soundscape’, the former as the acoustic environment within the tradition of acoustics with emphasis on physical constraints and the latter as the acoustic environment with emphasis on the way it is perceived and understood by the individual, or by a society whose concept was brought forth by R. M. Schafer and his colleagues, whereby the latter includes the former. Finally the significance of the concept of deep soundscape is discussed accounting for developments in cognitive sciences taking account of semantics in its application of sound education, soundscape design and further areas.
机译:本文首先讨论由R. M. Schafer和他的同事开发的音景概念。其次,假设提出“浅声景”和“深声景”的定义,前者定义为声学传统中的声学环境,强调物理约束,后者定义为声学环境,强调其感知和感知方式。由个人或一个由RM Schafer和他的同事提出概念的社会所理解,后者包括前者。最后,讨论了深音景概念的重要性,说明了认知科学在声音教育,音景设计及其他领域的应用中的语义发展。

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  • 会议地点 Ottawa(CA);Ottawa(CA)
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    Graduate School of Asian and African Area Studies Kyoto University 606-8501 Kyoto Japan Email address: hkozo@asafas.kyoto-u.ac.jp;

    School of Cultural & Creative Studies Aoyama Gakuin University 150-8366 Tokyo Japan Email address: keitori@sensing-winds.jp;

    LCP/LAM Rue de Lourmel 75015 Paris France Email address: daniele.dubois@upmc.fr;

    Institute of Fluid Mechanics and Engineering Acoustics TU Berlin 10587 Berlin Germany Email address: brigitte.schulte-fortkamp@tu-berlin.de;

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  • 入库时间 2022-08-26 14:41:15

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