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Content and Style Disentanglement for Artistic Style Transfer

机译:内容和风格的解脱,以实现艺术风格的转移

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Artists rarely paint in a single style throughout their career. More often they change styles or develop variations of it. In addition, artworks in different styles and even within one style depict real content differently: while Picasso's Blue Period displays a vase in a blueish tone but as a whole, his Cubist works deconstruct the object. To produce artistically convincing stylizations, style transfer models must be able to reflect these changes and variations. Recently many works have aimed to improve the style transfer task, but neglected to address the described observations. We present a novel approach which captures particularities of style and the variations within and separates style and content. This is achieved by introducing two novel losses: a fixpoint triplet style loss to learn subtle variations within one style or between different styles and a disentanglement loss to ensure that the stylization is not conditioned on the real input photo. In addition the paper proposes various evaluation methods to measure the importance of both losses on the validity, quality and variability of final stylizations. We provide qualitative results to demonstrate the performance of our approach.
机译:艺术家在整个职业生涯中很少以单一风格绘画。他们更经常地更改样式或开发样式。此外,不同风格甚至是一种风格的艺术品对真实内容的描绘也不同:毕加索的《蓝色时期》以淡蓝色调显示花瓶,但总体而言,他的立体派作品解构了该对象。为了产生令人信服的艺术风格,样式转移模型必须能够反映这些变化和变化。最近,许多作品旨在改善样式转换任务,但忽略了所描述的观察。我们提出了一种新颖的方法,可以捕获样式的特殊性和内部的变化,并将样式和内容分开。这是通过引入两种新颖的损失来实现的:固定点三元组样式损失,以了解一种样式内或不同样式之间的细微变化;以及解缠损失,以确保样式不取决于实际输入的照片。此外,本文提出了各种评估方法来衡量损失对最终样式的有效性,质量和可变性的重要性。我们提供定性结果以证明我们方法的效果。

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