首页> 外文会议>International Conference on Computer-Aided Industrial Design Conceptual Design;CAIDCD'2008 >'Icons of Human-Symbolizing-God' and 'Magnifying Human Nature through God Icons'-the Aesthetic Features of the Human Icons of Sanxingdui Culture Relics
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'Icons of Human-Symbolizing-God' and 'Magnifying Human Nature through God Icons'-the Aesthetic Features of the Human Icons of Sanxingdui Culture Relics

机译:三星堆文物中人像的审美特征“人像神图标”与“神像放大人性”

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What strikes people is the 'human icons cluster', which represents the unique geographical cultural characteristics of the Sanxingdui Culture relics. Currently all the researchers believe that the 'human icons cluster' is for the ancient religious purpose of sorcery and serves the theme of god-human communication. However, such opinion fails to reveal the connotation at a deeper level. Studied from their contents and forms, the icons cluster indicates the awakening of the ancient Shu people's self-awareness. It is Shu people's attempt to construct artistic world by human standards and to magnify human nature through gods by means of artistic symbols of human icons.Magnifying human nature is the rational kernel lurking in the 'human icons cluster', which contributes to the formation of 'Beauty of Magnifyingness' in terms of aesthetics.
机译:触动人心的是“人像集群”,代表了三星堆文物的独特地理文化特征。目前,所有研究人员都认为“人像集群”是用于古代巫术的宗教目的,并以神与人之间的交流为主题。但是,这种观点未能从更深层次上揭示其内涵。从其内容和形式上研究,这些图标集表明了古代蜀人自我意识的觉醒。这是蜀国人民以人的标准建设艺术世界,以人像的艺术符号通过神扩大人性的尝试。人性的放大是潜伏在“人像群”中的理性内核,有助于形成“人像集群”。从美学角度讲“放大之美”。

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