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Time domain analysis of Indian classical raga rendition

机译:印度古典拉加演绎的时域分析

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The area of music information retrieval is very wide in general and Indian classical music in particular. Raga is the most significant aspect of Indian classical music which is further divided into Hindustani and Carnatic forms. One of the distinguishing features of the Hindustani classical music is the time of rendition of a raga. With contrasting opinions offered by musicians on the issue, with some being strict and others labeling it as purely imaginary, it is of interest to investigate whether there are any scientific aspects as to why the Hindustani ragas have been grouped for a particular time of rendition. This paper attempts to investigate audio features of different ragas which are rendered in morning, afternoon, evening and night.
机译:一般而言,音乐信息检索领域非常广泛,尤其是印度古典音乐。 Raga是印度古典音乐最重要的方面,它进一步分为印度斯坦(Hindustani)和Carnatic形式。印度斯坦古典音乐的显着特征之一是再现拉加音乐的时间。在此问题上,音乐家们提出了不同的意见,有的意见很严格,有的则认为纯粹是虚构的,因此有兴趣研究一下为什么在特定的移交时间将印度斯坦拉格族归为一类的科学方面。本文试图研究在早上,下午,晚上和晚上渲染的不同拉加斯的音频特征。

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