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Are Fictional Voices Distinguishable? Classifying Character Voices in Modern Drama

机译:虚构的声音可区分吗?在现代戏剧中对角色声音进行分类

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According to the literary theory of Mikhail Bakhtin, a dialogic novel is one in which characters speak in their own distinct voices, rather than serving as mouthpieces for their authors. We use text classification to determine which authors best achieve dialogism, looking at a corpus of plays from the late nineteenth and early twentieth centuries. We find that the SAGE model of text generation, which highlights deviations from a background lexical distribution, is an effective method of weighting the words of characters' utterances. Our results show that it is indeed possible to distinguish characters by their speech in the plays of canonical writers such as George Bernard Shaw, whereas characters are clustered more closely in the works of lesser-known playwrights.
机译:根据米哈伊尔·巴赫金(Mikhail Bakhtin)的文学理论,一部对话小说是其中人物以自己独特的声音说话,而不是充当作者的喉舌的小说。我们使用文本分类来确定哪些作者最能实现对话,同时查看19世纪末至20世纪初的剧集。我们发现,文本生成的SAGE模型突出了与背景词汇分布的偏差,是加权字符话语单词的有效方法。我们的研究结果表明,在乔治·伯纳德·肖等经典作家的戏剧中,通过角色的讲话来区分角色确实是可能的,而在鲜为人知的剧作家的作品中,角色则更紧密地聚集在一起。

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