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The phenomenon of “celebrity ustadz” in Indonesia on the ethics of dakwahtainment

机译:印度尼西亚“达喀什娱乐化”伦理学上的“名人ustadz”现象

摘要

One of the most striking trend of ‘Popular Islam’ in Indonesia is the emerging of celebrity ustadz within the lastuddecade. This phenomenon portrays a modern and fashionable Islam, however, it is also fears to degrade virtuousudvalues of ustadz. This phenomenon appears prominently along with the political reformation in Indonesia in the lateudof 1990s. The emerging celebrity ustadzs with glamorous life-style and highly exposure to public have changed notudmerely the image of ustadz and the interaction pattern between ustadz and the followers (umma), but also gave riseudwhat the so-called “dakwahtainment.” Now, here is the interaction between ustadz (like an idol-artist) with his fansudor followers. This trend also represents an ideal blend between religion (Islam), television industry, and capitalism.udThe commodification of Islam is obvious, with superficial actors, producers, and consumers. From both, the measure of the ethics of Ulamaship (traditional clerical moral qualifications) and ethics of dakwah, the phenomenon of ustadz udceleb is a new Islamic culture that is unethical. Therefore, many Indonesian Muslims, especially Muslim intelligentsia,udwere very disappointed. In fact, it causes a lot of cynicism. The ustadz profession, especially celebrity ustadz, is nowudconsidered “low”, and the only thing that is “high” seem to be their rate and theirlife style.
机译:印度尼西亚“大众伊斯兰教”最引人注目的趋势之一是在上个 udcade中出现的名人ustadz。这种现象刻画了现代和时尚的伊斯兰教,但是,人们也担心会降低乌斯塔兹的美德 udvalues。这种现象在1990年代后期随着印度尼西亚的政治改革而显着出现。崭露头角的名人ustadzs有着迷人的生活方式,并高度暴露于公众面前,不仅改变了ustadz的形象以及ustadz与追随者(umma)之间的互动方式,而且还产生了所谓的“ dakwahtainment”。现在,这是乌斯塔兹(像偶像艺术家)与他的粉丝追随者之间的互动。这种趋势也代表了宗教(伊斯兰教),电视产业和资本主义之间的理想融合。 ud伊斯兰的商品化是显而易见的,有表面上的演员,生产者和消费者。从对Ulamaship的道德标准(传统的文职道德资格)和达克的道德标准的衡量来看,ustadz udceleb现象是一种新的不道德的伊斯兰文化。因此,许多印尼穆斯林,尤其是穆斯林知识分子,对他们感到非常失望。实际上,它引起了很多犬儒主义。乌斯塔兹职业,尤其是名人乌斯塔兹,现在被认为是“低”的,唯一的“高”事物似乎是他们的比率和生活方式。

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    Bahri Media Zainul;

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