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Where's The Big Idea?

机译:大想法在哪里?

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摘要

'South street philadelphia is derelict and dilapidated but, if these architects have their way, you will see, rising from the ruins .. .'This was the opening sentence of a 1968 news report describing a plan for a low-income community. The reporter could not imagine that we might design anything other than tower blocks soaring over cleared land, and expected us to fit into her preconception of our vision. Like many in urban Europe and America, she was swept away by Le Corbusier's Ville Radieuse. Combining social observation, architectural prediction and an ideal, this image of cloud-searching high-rises, wide picture windows, roof terraces overlooking parkland and small aircraft joyriding above had seduced architects recovering from the First World War and tugged again at the imagination of their descendants as they renewed cities in the 1950s and 60s.
机译:“费城南部大街已经废弃了,但破烂不堪,但是,如果这些建筑师走了,你会看到,从废墟中升起……。”这是1968年一份新闻报道的开场白,描述了一个低收入社区的计划。记者无法想象我们除了在空旷的土地上高耸的塔楼之外,还可以设计其他任何东西,并希望我们能适应她对我们愿景的先入之见。像欧美城市的许多人一样,她被勒·柯布西耶(Le Corbusier)的维尔·拉迪耶斯(Ville Radieuse)扫除了。集社会观察,建筑预测和理想于一身的云层影像,搜寻高层建筑,宽大的落地窗,俯瞰公园的屋顶露台和小型飞机在空中乘搭飞机,吸引了从第一次世界大战中恢复过来的建筑师,并再次拉扯了他们的想象力1950年代和60年代更新城市的后代。

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