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首页> 外文期刊>Quaternary International >Retouched artifacts production in three hunter-gatherer contexts from Tierra del Fuego (southernmost South America, Argentina): Aviles 1, Aviles 3 and Herradura 1
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Retouched artifacts production in three hunter-gatherer contexts from Tierra del Fuego (southernmost South America, Argentina): Aviles 1, Aviles 3 and Herradura 1

机译:来自Tierra del Fuego(南美洲最南端,阿根廷)的三种猎人与采集者环境中的修饰文物生产:Aviles 1,Aviles 3和Herradura 1

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摘要

a This paper aims to identify technological decisions involved in the production of retouched lithic artifacts recovered from three Late Holocene archaeological sites located in the northeast of the Isla Grande of Tierra del Fuego (Argentina). More specifically, the main goal is to assess whether there is any relationship among raw material selection, retouching intensity, and the morphology of retouched artifacts. Through the analysis of several correlations between the knapping quality of the different raw materials employed and the index of invasiveness and curvature, it is inferred that raw materials were selected according to their homogeneous texture and convex shape in order to produce long retouched edges. As most of the retouched artifacts have been produced on unifacial blanks, using unipolar debitage techniques which does not require specific knapping skills, it is proposed that similarities found in the three archaeological sites can be explained as a result of oral transmission of basic technological knowledge. (C) 2014 Elsevier Ltd and INQUA. All rights reserved.
机译:a本文旨在确定涉及从位于火地岛(阿根廷)格兰德岛东北部的三个全新世考古遗址中回收的修饰石器物生产过程中涉及的技术决策。更具体地说,主要目标是评估原材料选择,修饰强度和修饰后的伪影的形态之间是否存在任何关系。通过分析所使用的不同原材料的打捆质量与浸润度和曲率指数之间的几种相关性,可以推断出原材料是根据原材料的均质质地和凸起形状进行选择的,以产生较长的修饰边缘。由于大多数修整过的文物是使用不需要特殊的敲打技巧的单极借记技术在单面坯料上生产的,因此提出了可以通过口头传播基本技术知识来解释在这三个考古遗址中发现的相似之处。 (C)2014 Elsevier Ltd和INQUA。版权所有。

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