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首页> 外文期刊>Quaternary International >Cattle without herdsmen: Animal and human beings in the prehistoric rock art of the Western Sahara
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Cattle without herdsmen: Animal and human beings in the prehistoric rock art of the Western Sahara

机译:无牧民的牛:西撒哈拉史前岩石艺术中的动物和人类

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Because of the scarcity and discontinuity of the archaeological excavations in the Western Sahara, rock-art appears to be one of the most relevant sources of information in order to discuss the subsistence, technology and ideology of the neolithic communities. However, in contrast to what we would expect from the evident pastoral scenes depicted on the Central Saharan rock art, the Western Saharan art of Neolithic age is dominated by wild or isolated animals. The pastoral scenes always are more uncertain to describe than the hunting scenes, which are also marginal but easier to interpret. In the current state of the research, the nature of the Western Saharan Neolithic, the putative age of the images, and the type of information expected from rock art should be questioned. (C) 2015 Elsevier Ltd and INQUA. All rights reserved.
机译:由于西撒哈拉考古发掘的稀缺性和不连续性,岩石艺术似乎是最相关的信息来源之一,以便讨论新石器时代社区的生存,技术和意识形态。但是,与我们从撒哈拉中部岩石艺术所描绘的明显田园风景中所期望的相反,新石器时代的西撒哈拉艺术以野生或孤立的动物为主。牧人场景总是比狩猎场景更加不确定,狩猎场景也很少,但更容易解释。在目前的研究状态下,应该质疑西撒哈拉新石器时代的性质,图像的假定年代以及岩石艺术所期望的信息类型。 (C)2015 Elsevier Ltd和INQUA。版权所有。

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