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Goethe's Faust and the Myth of Modern Man

机译:歌德的浮士德与现代人的神话

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摘要

The drama of Faust opens with an encounter of the Lord and Mephisto in negotiation about the soul of the human being; it is completed with the revelation of a transformed God-image, that is, with a hymn on the Eternal Feminine. In between a long process can be traced, full of opportunities and failures. The process is carried by the human being Faust—though, unfortunately, unconscious to him. He represents the human being whose wholeness of soul seeks realization. He is driven by a thirst for knowledge, a hunger for life, by desire for prestige in the outer world, and—last but not least—by an unappeased yearning for love. Enthralled by a creative urge, he does not see the demonic side of psychic forces with which he gets involved, and so he falls victim to them. He becomes entangled with the darkness and all possible guilt. It seems to be the task of our time to become conscious about the ambivalence of the spirit of nature—here represented by Mephisto—to realize the revealed symbols of reconciliation and to carry our necessary responsibilities. We would thereby contribute importantly to the renewal of our God-image.
机译:浮士德的戏剧以在与人类灵魂的谈判中耶和华与墨菲斯托的相遇开始。它是通过改变的上帝形象的启示而完成的,即对永恒女性的赞美诗。在这之间可以追溯到一个漫长的过程,充满了机会和失败。这个过程是由浮士德人进行的,尽管不幸的是,他对它不省人事。他代表了一个人,他的灵魂追求整体。对知识的渴望,对生命的渴望,对外界声誉的渴望,以及(最后但并非最不重要的)对未曾获得的对爱情的渴望,驱使着他。在创造性的冲动下,他看不到他所参与的精神力量的恶魔面,因此他成为了他们的受害者。他陷入了黑暗和所有可能的罪恶感。意识到自然精神的矛盾性(以墨菲斯托为代表)似乎是我们时代的任务,以实现揭示的和解符号并承担我们的必要责任。因此,我们将为更新神的形象做出重要贡献。

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